【作者】 张欣；

【导师】 姜敏；

【作者基本信息】 河北大学 ， 广播电视艺术学， 2014， 硕士

【摘要】 中国灾难题材电影产生于1957年,经过50多年的发展,却没有得到更多的观众和导演的重视,数量少、质量差、票房低是中国灾难题材电影最直观的现状,和好莱坞灾难片相比差距显著。中国灾难题材电影在写实化的进程中,秉承了中国电影历史传统,符合中国文化发展轨迹。中国早期灾难题材电影作为政治宣教工具,带有主旋律特性,取材简单,剧情单一,叙事平缓,感情平淡的特点一直延续至今。进入二十一世纪以来,随着中国以及中国电影的发展,灾难题材电影虽然在投资上得到制片方支持,但是仍然处于中国电影的边缘境地。到目前为止,中国灾难题材电影的发展还处在比较困难的阶段,营造真实灾难场面技术落后,资金不充足,以及中国传统特有的文化背景造成中国电影历史上灾难题材电影的缺失。好莱坞灾难片在屡屡取得好票房成绩的同时,中国电影也应该反思：灾难题材电影的缺失性问题。灾难题材电影成为中国电影的短板之一,电脑技术的落后是一方面,更重要的是中国电影观念和电影体质问题所在,而这些阻碍着中国发展灾难题材电影以及其他类型电影。正是鉴于此,本研究着重探讨中国灾难题材电影的现状,并在其现状中发现了中国灾难题材电影在剧本创作、叙事模式与策略、人物塑造、场景设置、视觉感受的缺失,根据缺失分析了其原因所在,最后通过笔者的研究,提出了一些对中国灾难题材电影能更好发展的策略。由此,笔者得出结论,中国要想步入世界电影强国行列,必须在各个类型电影都有新的突破。在当今以和平与发展为主题的时代,灾难影响着人类的生命安全,更维系着全世界人民的心。作为中国电影发展弱势之一的灾难题材电影,更应根据自身的发展特点和本土化的风格以量变寻求质变,形成自身独特的灾难叙事,来吸引中国和世界各国观众的眼光,摒弃落后陈旧的思想,通过题材,剧本,情感的创新来增添中国灾难题材电影的新气象,这才是中国广大电影人想要看到的最终结果。更多还原

【Abstract】 Chinese disaster film produced in1957, after50years of development, has not been awider audience and director, less quantity, poor quality and low box office is the mostintuitive situation Chinese disaster film, compared to Hollywood disaster film gap isobvious.Chinese disaster film in the process of XieShiHua, adhering to the traditional Chinesemovie history, in accordance with Chinese cultural development track. Early Chinesedisaster film as a political propaganda tool, with the main melody features, based on simple,a single plot, narrative gently, feeling the characteristics of the plain continues to this day.Since entering the21st century, with the development of China and the Chinese film,although disaster movie producers support on investment, but still on the verge of a Chinesefilm. So far, the development of China’s disaster films are still at the stage of more difficult,to create a real disaster scene technology lag behind, money is not enough, and culturalbackground of Chinese traditional characteristic in the history of Chinese film, the lack ofdisaster movie. Hollywood disaster film in often get good box office at the same time, theChinese film should also reflect on: the lack of disaster movie. Disaster films become one ofthe board of the Chinese film, fall behind of the computer technology is on the one hand,more important is the Chinese film ideas and physical problem, hindering China’sdevelopment and the disaster film, and other types of movies.Is precisely because of this, this study focus on the present situation of Chinese disasterfilm, and found in the status quo of China’s disaster film in the play writing, narrative modeand strategy, characterization, setting the scene, the lack of visual perception, missingaccording to its reason is analyzed, at last, the author of the study, puts forward somestrategy on the development of Chinese disaster film can better.As a result, the author concludes that China wants to enter movie world powers, musthas the new breakthrough in various types of film. In today’s era of peace and developmentas the theme, disaster influence human’s life, a more sustained the hearts of the people all over the world. As one of the weak Chinese film development of disaster movie, shouldaccording to their own characteristics and the development of the localization of style toquantitative change seeks to qualitative change, formed its own unique disaster narratives,to attract the audience’s eye, China and the world abandon the backward old ideas, throughthe subject matter, the script, the innovation of the emotion to add the new scene of Chinesedisaster film, this is China’s vast filmmakers want to see the final result.更多还原