【作者】 韩燕；

【导师】 蓝露怡；

【作者基本信息】 西南大学 ， 比较文学与世界文学， 2012， 硕士

【摘要】 席勒,欧洲文学史上举足轻重的人物。他的著作涉及到戏剧、美学、诗歌、散文,音乐等文学艺术领域,而尤以前两者为最,为世人留下了不朽之作。席勒在其剧作中将其对哲学与美学的思考隐喻于剧中人物形象的塑造与戏剧冲突的表现上,蕴藏着深厚的文化意蕴与审美内涵。席勒在反思民族危机的过程中,把弥合人性的分裂作为解决国民性问题的基石,而且在大量的文学创作中对人性美理想做了形象化的表达和演绎,从而把自己的政治理想、文学理想和美学思想有机地统一起来。席勒对艺术理论的兴趣与他的戏剧创作实践活动几乎是同时发生的。就在他完成第一个剧本《强盗》的同时,他发表了关于戏剧方面的理论文章。因此,他的早期艺术观表现出理论与实践紧密结合的特点,以及同他的创作一样,洋溢着狂飙突进运动的思想气息。同样,席勒在结束其早期剧作不久,即写下了其关于悲剧艺术思索的理论文章——《论悲剧的艺术》(1793),《论悲剧题材产生快感的原因》(1792),这两篇论文可以看作是席勒对他早期四部悲剧：《强盗》、《阴谋与爱情》、《斐斯柯》、《唐·卡洛斯》的创作经验的总结。其中提出诗意真实,即艺术真实与历史真实有别,而悲剧诗人追求的,应是艺术真实,这是他的进步的美学观点。总之,席勒的早期戏剧在戏剧传达的内容和意义上明显地带有席勒自己在戏剧理论中所表述的道德理想与人道主义的内容,并且在某些人物台词中充满了哲理思辨的色彩,借此表现了席勒对资产阶级人道主义理想的颂扬。因此,本文在此基础上,立足其早期具体文本的分析,依据其所著戏剧剧理论和剧作创作的时代思想环境,结合具体人物形象,戏剧冲突等的分析以及作者对其相关作品的思考,分析席勒早期悲剧中蕴育的对人性的关怀的思想。本文引言部分分两部分进行：首先,文献综述部分对席勒本人及其创作成就的研究情况作了简明扼要的介绍,从而从宏观的角度,对席勒当今的研究状况有一个大体的认识,以明确本文的研究意义及价值。其次,对席勒的的戏剧创作及戏剧观点进行简单的概说,总体上揭示其戏剧理论与戏剧创作的关系及其蕴含的美学和社会价值。本文的主体部分主要有两章内容构成：第一章戏剧引论。本章着意分析席勒早期比较有代表性的三部剧作——成名作《强盗》,成功之作《阴谋与爱情》及过渡之作《唐卡洛斯》,通过人物形象的塑造,情节的安排以及戏剧中的矛盾冲突,并借助其悲剧文艺美学思想,同时联系席勒所处的具体时代及文化环境,探究其早期戏剧中所表述出的人性思想。第二章反思席勒的戏剧理论和戏剧创作。席勒的戏剧理论和戏剧创作实践并不是完美的契合,席勒创作的戏剧理论是对其前期戏剧的经验总结,其中必然带着对前期戏剧不足之处的反思,同时,席勒的悲剧创作在一些方面反而超越了他的悲剧理论。因此本章意在对席勒前期的剧作及其创作思想有一个更深的认识。结语重点回顾本文的论述要点,并指出其不足之处,简述席勒在文学史上的伟大意义。更多还原

【Abstract】 Schiller, a pivotal figure in the history of European literature. His writing relates to the drama, aesthetics, poetry, prose, music, and especially before they for the most left the world the immortal work. Schiller will be in the plays on its performance on the thinking metaphor in the shape of the image of the characters and the dramatic conflict of philosophy and aesthetics, bears deep cultural implication and aesthetic connotations. Schiller’s interest in art theory and practice of theatrical creation is almost simultaneous. While he completed the first play,"Robber", he published theoretical articles on the theater. In his early artistic concept, therefore, the performance features of the theory and practice, closely integrated, and with his creation, filled with Sturm und Drang movement’s ideological flavor. Schiller soon end its early plays, namely, wrote theoretical articles on the thinking of the tragic art-"The art of Tragedy"(1793),"On the Tragedy Theme of the Reasons of Pleasure"(1792), this two papers can be seen as Schiller’s summary of the creative experience of his early four tragedies:"Robber","Intrigue and Love","Fei Sike","Don Carlos". Raised poetic real, that is, the artistic truth and historical truth, and the tragic poet in pursuit of artistic truth, which is the aesthetic point of view of his progress.In short, the obvious zone of Schiller’s early drama in the drama to convey the content and significance Schiller expressed in drama theory of moral ideals and humanitarian content, and full of philosophical speculation in some character lines in color. Schiller through the drama of creation to show its humanitarian ideals of praise.Therefore, on this basis, based on the specific text of the early analysis, based on his book drama and drama theory and plays the era of creative thinking environment, combined with specific characters, dramatic conflict analysis and the author’s thinking on related works. Schiller early tragedy of human nature, breeds caring thought. The introduction in this article in two parts:First, the literature review section made a clear and concise introduction to Schiller himself and creative achievements, and thus from a macro point of view, we can get a general understanding of Schiller today. To make clear the meaning and value of this study. Secondly, the simple concept of creation of Schiller’s drama and dramatic point of view that, in general, reveals the relationship of the theory of drama and theater creation and its inherent aesthetic and social value.The main part of this article has two chapters constitute:Introduction of the first chapter plays. This chapter deliberately Schiller early representative of the three plays-famous for the "Robber" and "Intrigue and Love" and the transition as "Don Carlos", through the shaping of characters, plot arrangement conflict and drama, and with the thinking of the tragedy of literary aesthetics, while contact Schiller’s specific age and cultural environment, to explore the thinking of the early drama expressed in the human.The second anti-Schiller theory of theatre and tragic creation. Schiller’s theory of theatre and the theatre of creative practice is not a perfect fit, the theatre of Schiller creation theory is the pre-theatre experience, which is bound with the reflection of the inadequacies of the early drama, at the same time, Schiller’s tragedy creation some respects, ahead of his theory of tragedy. This chapter is intended to have a deeper understanding of the plays of Schiller early. Conclusion focus on review of this article discusses the main points, point out the inadequacies and sketch Schiller’s great significance in literary history.更多还原