【作者】 孙玮；

【导师】 高力；

【作者基本信息】 西南交通大学 ， 艺术学， 2014， 硕士

【摘要】 时下的电视荧幕及网络上,女性后宫剧作为一种热门的剧目类型,以一类特殊群体——后宫妃嫔及宫女的情感、生活为主要表现内容,受到了广大收视观众的欢迎。早前的后宫剧以正史为主,其中的女性形象更多的偏重于母性光辉的描绘,2004年《金枝欲孽》上映后,后宫剧进入到一个以女性视角制作的新颖视角范围；2010年后宫剧的发展进入井喷之势,大量剧目搬上银屏,后宫剧因其通俗易懂,戏剧矛盾张力突出等原因,吸引了大量各阶层的注意,在大众文化领域开启“全民后宫”的势潮。2012年《甄嬛传》上映,这部新时期的后宫题材宫廷剧在各地卫视盘踞榜首,创造了电视剧收视率的新高。《甄嬛传》以女性为主题的后宫类型剧目高度模拟真实古代宫廷环境,类型封闭性极好,其传达的价值观念文化表述的变迁引发了社会业界的热烈讨论,这些折射现实环境与观念变迁的新类型剧作,对女性形象的刻画描绘以及女性权利斗争的表现,衍生出新的类型剧作“宫斗剧”。女性主义观照下的后宫剧中的女性形象已成为文艺评论中不能回避的部分。女性形象时作为大众传播媒介之一的电视剧中一个不可或缺的元素。在近年来,作为具有中国特色的宫廷剧在表现题材上都突出了以女性为主题的“后宫剧”,这样的现象不仅引发了收视上的广泛关注,也引发了学界的广泛讨论。这些女性主义观照下的后宫剧中极具充满亮色的就是其中的女性形象,她们在历史上并没有获得记录或未被广泛关注,却在电视上以鲜明的性格、独具魅力的新女性气质和引发男性观赏欲望的外形成为女性主义观照下的后宫剧中的主角。以社会环境的根本性而言,这样的女性形象也并没有传递更强的女性意识,依然在父权文化的性别政治和传统文化等级下挣扎,进入到另一种精神藩篱中去。同时,女性主义观照下的后宫剧中的某些女性形象的取向、建构已经反映了一些真实的女性心理环境和状态,但从整体来看,强大的文化背景和意识形态影响,这些女性形象还是展现着父权制文化的烙印。在男性文化背景下,女性主义观照下的后宫剧虽然在女性形象的塑造上表现出一些反男权文化对女性形象幻想的特质,但并未完全对其打破。论文研究认为在女性主义观照下的后宫剧中的女性形象或成为男性欲望投射,或仅仅是一部分女性意识的觉醒。虽然目前以女性为主的宫廷剧目的出现并成为一种新的流行,但正真将女性独立、平等意识输入到女性形象中,并使之成为一种新的性别话语权的现象还没有成熟起来。在一个以男性为主的男性权力结构的社会中,女性作为男性凝视的“被观赏物”和荧幕上的“消费用品”就不会终结。女性也依然不能在父权社会中获得真正属于自己的话语权利,女性在宫廷中通过玩弄和掌控宫廷法则,也就是迎合男性话语权利所获得的成功,只能是一种为了生存的生命突围。更多还原

【Abstract】 On the television screen and networks nowadays, women harem drama as a popular type of repertoire, with a special kind of group:the ladies of the harem concubines and emotional content of life as the main performance, has been welcomed by the majority of the viewing audience. Earlier in the official history-based drama harem, where female figure more emphasis on motherhood brilliant portrayal, War and Beauty after the release in2004, harem drama into a novel angle range produced by the female perspective; Development harem drama into a blowout in2010, a large repertoire onto the silver screen, which easy to understand harem drama, drama, tension prominent contradictions and other reasons, to attract the attention of a large number of various sectors in the field of popular culture on "universal harem" potential influx.Zhen Huan Zhuan exhibition in2012, the palace harem theme this new period drama TV entrenched across the top, creating a new high TV ratings. Zhen Huan Biography as the theme of female harem type repertoire height to simulate the real environment the ancient palace, the type of closure excellent, its values and cultural expressions to convey the changes sparked a lively discussion of social sector, the environment and the concept of refraction of reality changes new types of plays, portraying depicting the struggle of women’s rights and the performance of the female image, derived from a new type of drama "Palace play fighting." Female image of women has become a literary drama palace comments section can not be avoided.As one of the mass media when the image of women as an indispensable element of drama. In recent years, as the court drama with Chinese characteristics on the performance of female subjects have highlighted the theme of "Women palace drama", this phenomenon is not only caused widespread concern in the ratings, but also led to extensive discussion circles.These women play a very full of brightly colored palace is one of the female image, they did not get recorded or not widespread attention in history, but on television with a distinctive personality, charming femininity and triggered new men watch desire to become a female court appearance protagonist of the play. To fundamental social environment, such a woman does not pass a stronger image of female consciousness, still struggling under the patriarchal culture of gender politics and traditional cultural level, into another mental barriers go. Meanwhile, some of the female image of female-oriented drama palace, constructed already reflect some real psychological environment and status of women, but overall, a strong cultural background and ideological influence, these images still show a patriarchal culture imprint. In the male cultural background, although the female court drama Women Portrayed exhibit some anti-patriarchal culture image of women fantasy character, but its not completely broken.Thesis considers the image of women or become a female court drama projection of male desire, or just part of the female consciousness. Although the female-dominated court appearance repertoire and become a new popular, but the women are really independent, equal input into the image of women in awareness, and making a new gender discourse phenomenon has not yet ripe together. In a society dominated by men male power structure, women as male gaze is watching, and consumer goods on the screen will not end. Women are still not available in the patriarchal society truly their own rights discourse, women in court by playing with and control the court rule, which is to meet successful men acquired the rights discourse, can only be a break through in order to survive in life.更多还原