【作者】 陈龙；

【导师】 肖湛；

【作者基本信息】 厦门大学 ， 文艺学， 2014， 硕士

【摘要】 唐君毅是现代新儒家会通中西哲学的最富成就者,推动了儒学的创造性转化,被誉为“文化意识宇宙中的巨人”。以感通理论为中心的美学思想,不仅是他在思想史上最大的理论贡献,并且蕴含了契合当前时代特征的理论资源,拥有了愈发重要的价值。对此的研究将有利于开掘出新的理论向度,突出美学在儒学研究中的地位和作用,激发儒学的生命力和创造力。本文试图将唐君毅哲学思想之各部分进行“贯通关联”,同时,注重“超越的反省”,从中西哲学比较的维度出发,对唐君毅美学思想进行详细阐释,以期更为深刻地揭示唐君毅的美学思想。全文由四个章节构成。第一章从危机感、使命感、学术变革观三个方面,介绍唐君毅思想形成的历史背景。第二章梳理唐君毅的哲学目标、哲学方法与论述方式,理解唐君毅哲学思想的基本原则。第三章论述感通理论,先介绍其形而上学基础,后从中西互释角度阐释感通理论的内涵,同时对感通的情感维度进行研究。第四章从中西美学比较维度,于感通理论的基础上,论述唐君毅的美学思想,突出其在重建中国美学方面的创新之处。结语部分,综述唐君毅的感通理论与美学思想,同时,在后形而上学语境下,反思唐君毅美学思想,突出其“主体间性”思想的理论意义与启发性。更多还原

【Abstract】 Tang Junyi insists on philosophical integration between China and west, and makes the most excellent achievements among the modern Neo-Confucians. He’s honored as’Giant of cultural universe’ because of his achievement in the creative transformation of Confucianism. Aesthetics based on theory of empathy is not only Tang Junyi’s most philosophical contributions in the modern Chinese intellectual history, but also contains many potential philosophical resources which are increasingly valuable in contemporary theoretical context. Study on this theme can explore new theoretical horizons, highlighting the significance of aesthetics in contemporary Confucian study and arouse the vitality and creative power of Confucianism. By connecting all parts of Tang Junyi’s philosophy and introspecting it transcendently, this paper tries to analyze Tang Junyi’s aesthetics from the comparative horizon between Chinese and western philosophy in order to explore the comprehensive value of his philosophy.This paper is constituted of four chapters. The fist chapter introduces the historical formation of Tang Junyi’s philosophy from crisis awareness, intellectual responsibility and Views of Academic Transformation. The second chapter intorduces Tang Junyi’s philosophical goal, methods and narrative way, and ananlyze the basic principle of his philosophy. The third chapter insists on the theory of empathy. It starts from the metaphysical foundation, then interprets the philsophical connotation of the theory from the inter-exlaination between Chinese and western philosophical. It also concentrates on the feeling dimension of empathy and makes clear the differences between empathy and sympathy. The fourth chapter illustrates Tang Junyi’s aesthetics based on the theory of empathy in the comparative context between Chinese and western aesthetics. It pays more attraction to Tang Junyi’s intellectual innovations in the reconstruction of Chinese asethetics. The conclusion comes to summarize Tang Junyi’s theory of empathy and aesthetics.It also introspects Tang Junyi’s aesthetics in the post-metaphysical context in order to highlight the constant theoretical significance and revelation of his thoughts on the concept of Intersubjectivity.更多还原