【作者】 王硕；

【导师】 马池珠；

【作者基本信息】 山东师范大学 ， 广播电视艺术学， 2014， 硕士

【摘要】 文化艺术类纪录片是将艺术内容与纪录片形式相结合的产物，横跨了艺术与技术两个范畴。它并不是文化、艺术与纪录片的简单相加或机械组合，它更要求创作者既掌握艺术的发展规律，用艺术的思维去思考如何进行纪录片的摄制，或从拍摄的角度去思考如何去更好的表现艺术作品或艺术人物，挖掘作品背后、艺术家背后潜藏的价值。作为文化艺术领域传播的重要介质和平台，文化艺术类纪录片的发展立足于艺术的历史进程，承载着传递文化、艺术的重要任务，许多导演都将镜头对准了艺术——这一易于表现丰富氛围和情怀的主题，向观众传达艺术家及其艺术作品所饱有的创作理念和浓郁情感。从艺术角度来看，它不仅传播艺术发展的进程，对达到突出艺术造诣的艺术名家进行艺术的阐释和梳理，还对后世的艺术研究和艺术发展有进一步的指导意义。论文是以国内外优秀的文化艺术类纪录片为主要研究样本，结合具体影像镜头，运用相关理论，结合观摩拉片、文献分析、案例研究和比较研究等方法来分析文化艺术类纪录片的艺术特色，较为全面的分析文化艺术类纪录片的艺术特色表现。本论文的创新和特色是通过对文化艺术类纪录片视听特色、叙事特色和价值探析的把握，并与外国同类型纪录片进行比较研究，总结探索文化艺术类纪录片的未来发展，感受文化艺术类纪录片艺术魅力的真正所在。这也为中国文化艺术的发展提供了新的契机，使我国文化艺术在世界艺术的坐标系中，更广泛、有选择地表达优秀成分,保持其多样化发展之态势。总结文化艺术类纪录片发展的优势和局限，提出进一步发展的意见，再从宏观角度分析我国文化艺术类纪录片产业发展出现的问题与采取的策略。以下是本论文的内容结构：第一章是引论，介绍选题的背景意义、研究缘起、国内外研究现状、研究目标、内容、方法、创新点和局限。第二章是文化艺术类纪录片艺术特色界定及发展，包括理解纪录片的共性特征、文化艺术类纪录片及艺术特色概念界定、文化艺术类纪录片产生与发展背景的探讨和研究。第三章是文化艺术类纪录片的视听特色，通过对画面语言、镜头语言和听觉语言三部分，分析文化艺术类纪录片的影像表现。第四章是文化艺术类纪录片的叙事特色，探讨其“故事化”的叙事策略与技巧，以及如何处理“实”与“虚”之间的关系。第五章是文化艺术类纪录片的价值探究，包括历史与文献价值、文化与传承价值、经济与市场价值。第六章是比较研究中外文化艺术类纪录片艺术特色。找出差异，并寻求各自的优势。第七章是总结与展望，主要包括文化艺术类纪录片的未来探索、对论文研究的展望。更多还原

【Abstract】 As outcomes of the combination of artistic content and the form of documentary films,documentary films on culture and arts have covered the domain of art and technology. They are notsimple sums or mechanical combinations of culture, art and documentary films. They require thecreators to master the development law of art, reflect on how to shoot documentary films with artthoughts or how to better present artistic works or characters from the perspective of shooting, andtry to dig out the underlying values of works and artists. As an important medium or platform fortransmitting culture and art, documentary films on culture and art have been developed upon thehistorical course of art as a carrier for transmitting culture and art. When many directors aredirecting their cameras at art, the subject that is easy to express rich atmosphere and feelings isexpressing creative ideas and strong emotion implied in artistic works and the artists to the audience.From the perspective of art, documentary films on culture and art have not only transmitted thedevelopment course of art in the process of elaborating and sorting out famous artists who havemade outstanding achievements in the field of art, but also provided guiding significance for latergenerations in studying and developing art.Sampling on excellent documentary films on culture and art in both China and foreigncountries, this paper has analyzed artistic characteristics, along with expression of artisticcharacteristics, of documentary films on culture and art through combining with specific film shotsand applying relevant theories and other research methods, such as watching films, literatureanalysis, case study and comparative study. This paper, innovative in its mastering on image featureof documentary films on culture and art and the exploration on their narrative characteristics andvalue and its comparison with documentary films of same type in Foreign countries, has concludedand explored the future development of documentary films on culture and art and made people feelthe fundamental charming of such films. Moreover, they have provided a new opportunity forChinese culture and art to express its excellent component in a more extensive and selective waywhile keeping its diversification in a worldwide scope. Finally, the advantages and limits of developing documentary films on culture and art were concluded, future development opinionswere proposed, and an analysis on problems existing in the development of the industry ofdocumentary films on culture and art in China and countermeasures from a macro perspective wasconducted.In chapter one—introduction, the background significance of the subject, along with reasons forthe research, current research state in China and foreign countries, research objectives, researchcontent, research methods, innovative points and limits, were introduced.In chapter two—defining on artistic characteristics of documentary films on culture and art andtheir development, understanding on common characteristics of documentary films, along withconceptual defining on documentary films on culture and art and their artistic characteristics and thebackground for the generation and development of documentary films on culture and art, werediscussed and studied.In chapter three—image characteristics of documentary films on culture and art, imagingfindings of documentary films on culture and art were analyzed with pictorial language, lenslanguage and auditory language.In chapter four—narrative characteristics of documentary films on culture and art, the"dramatic" narrative strategy and skills, along with the way to deal with the relationship between"fact" and "fiction", were discussed.In chapter five—exploration on the values of documentary films on culture and art, historicaland documentray values, along with cultural and inheritance values and economic and market values,were stated.In chapter six—comparative study on artistic characteristics of documentary films on cultureand art in China and foreign countries, differences among different documentary films and theiradvantages were identified.In chapter seven—conclusion and envision, directions for future explorations on documentaryfilms on culture and art were pointed out and an envision was come up with.更多还原