小剧场歌剧《再别康桥》的风格创新与演唱分析

【作者】 张海燕；

【导师】 丁汝燕；

【作者基本信息】 山东师范大学 ， 音乐学， 2014， 硕士

【摘要】 歌剧《再别康桥》是我国第一部小剧场歌剧，它以形式上的简洁、轻便、精巧以及很少的演员表演、很小的财力投入使这部小剧场歌剧呈现出与以往歌剧“大制作、大场面”有所不同的一种崭新的面貌，并且为广大歌剧爱好者所接受，它的创作手法和创作精髓也让一度沉寂的歌剧界掀起一股研究的热潮。本文主要从它的创作风格和主要唱段的演唱两个方面进行详细分析，进一步挖掘其在创作时采用的新思维、新形势以及取得的好的视听效果，以期与以往传统歌剧形成对比，并将其创作精髓与当今时代的发展相融合，创造出更符合广大人民喜好，更能为广大人民所接受的新的歌剧。更多还原

【Abstract】 Opera "on leaving Cambridge" is China’s first a small theater opera, it in theform of compact, light, delicate, and a few actors, small financial investment to makethe small theater opera presented with previous opera "big production, big scene" anew look different, and accepted by the opera lovers, its core technique and creationalso make once silent sound, set off a upsurge of research. This article mainly fromthe two aspects of creation style and the main aria singing a detailed analysis, furtherexcavate its in adopting new thinking, new situation and achieved good audio-visualeffect, form contrast with previous traditional opera, and its creative spirit and theintegration of the development of The Times, create more in line with the masses ofthe people’s preferences, more accessible to the masses of the people to accept thenew opera.更多还原