【作者】 陈琳；

【导师】 孙静茹；

【作者基本信息】 辽宁师范大学 ， 美术学， 2013， 硕士

【摘要】 艺术是一种意识形态，美是一个流动范畴用来表现自然、社会和艺术形象。美术中体现着真、善、美。中国美学思想，就是从自然风景、社会生活和艺术创造的表现力总结概括出来的理论。中国文化博大精深，在绘画中也存在着各种各样的规律和需要把握的几个度。本文通过对类似或相似范畴内的绘画作以辨析，主要分析匠气，俗气，匠心等把握它们之间的界限关系。希望人们能通过本篇文章，了解“度”的重要性，以便对作品做出正确的评定，并昭示人们减少一些在绘画上不必要的弯路。本文主要通过四章内容来进行说明在绘画中应把持住的几个边界论，以及了解它们对创作的意义。第一章主要讲绘画中的匠心独运，通过两个方面：一方面阐述绘画所需要的匠人。哲学上讲“事物是按照一定的规律发展的”，这就要求我们按规律做事，就像建房子，必须先扎稳根基，其余的事项才能游刃有余的进行下去，顺应了“基础不牢，地动山摇”这句话。突出画匠的重要性，这是从褒义的一面讲画匠之功。另一方面主要讲，画匠要拥有匠心，讲解匠心的重要性。绘画也和其他行业一样时刻发展着，只有不断创新才能立于不败之地。画匠们单单一味的模仿和临摹，终究在画坛是立不住的。这就需要画匠们在创作时别具匠心，注入自己的思想，提高相应的文化修养，形成属于自己的风格，然后才能称的上是画家，作品才能拥有吸引力。第二章主要讲误入歧途的匠心，也就意味着要将匠心用的恰到好处，不加思考的注入匠心未必能达到自己想要的效果。要求我们要善于思考把握界限。哲学上讲，量变达成质变，事物一旦超越了那个“度”就变质了，绘画亦如此。画家们过于用心在某一点上刻画，恐怕匠心也变成匠气一说了。第三章阐述绘画中常遇到的几种“俗事”。通过对风俗、民俗、世俗、通俗等一系列形态词的讲解，结合作品分析，让人们认识这一系列形态的不同，以及认识到自己作品所属的方向。最后一章讲述迷失方向的“俗事”，即俗气。接着第三章所罗列的形态词讲，如何变成俗气的，主要通过对庸俗、艳俗、甜俗的讲解、分析，来告示人们在绘画中应避免出现的几种情况。俗话说：知己知彼，方能百战百胜。在绘画方面需要画者们在通晓绘画技巧的同时，也了解绘画理论，用来指导实践，这样才能做出好的作品。更多还原

【Abstract】 Art is an ideology, the United States is a flow areas for the performance of the natural,social and artistic image. Fine Arts embody truth, goodness and beauty. Chinese aestheticthought, from the natural landscape, social life and artistic creation of expressive summed upthe theory.Chinese culture is profound, in painting; there are also a variety of laws and theneed to grasp a few degrees. In this paper, for similar or similar within the context of thepainting to discrimination, the main analysis unimaginative, tacky, ingenuity grasp the degreeof relationship between them. I hope people through this article to understand the importanceof the "degree" in order to make a correct assessment of the work, and to reduce the numberof unnecessary detours painting shows people. Mainly through four chapters to thedescription of the painting should hold on several boundary theories, and to understand thesignificance of their creation.The first chapter stresses imaginative painting, painting by two aspects: on the one hand,on the builders. Philosophical sense "things according to the laws of development, whichrequires us to do things according to the law, just like building a house, you must first lays asolid foundation, and the capability to carry on the rest of the matters to conform to thissentence of" Without a solid foundation, ground shaking. Highlight the importance of thepainter, which is the power from commendatory side stresses painter. On the other hand themain, the painter has the ingenuity, to explain the importance of ingenuity. Painting and otherindustries the same time development, the only innovation to be invincible. Painter whosimply blindly imitate and copy, after all, could not stand in the art world. This requires thepainter in the creation, painting ingenuity to inject his own ideas, and form their own specialstyle, while improving their own cultural accomplishment, can be said as a painter. Thesecond chapter stresses misguided ingenuity, becomes a means unimaginative. Requires uspay attention to the "degree". Philosophical sense, quantitative reached qualitative changethings once beyond that degree degenerate, the painting is also true. The painter portrayed toocarefully at some point, if not control a good amount, I am afraid ingenuity has becomeunimaginative said. The third chapter elaborates several "mundane" painting is oftenencountered. Customs, folklore, secular, popular series of morphological word explanation,the combination works to let people know about the different forms of this series, as well as torecognize the direction of their own work belongs. The final chapter describes disoriented"mundane", that is tacky. Then the form of words listed in Chapter speak, how to become tacky, mainly by the vulgar, raffish, sweet vulgar explain, analyze, notices the painting shouldavoid the emergence of several cases. As the saying goes: Know the self, before beingvictorious. Need to draw those who are proficient in painting techniques in painting, but alsoto understand the painting theory, so creative in order to make good work.更多还原