【作者】 王东；

【导师】 韩敬伟；

【作者基本信息】 清华大学 ， 美术学， 2012， 硕士

【摘要】 在质地应用理论上有所表述的文本寥寥无几。尽管，帕特里克·弗兰克的著作《视觉艺术原理》在质地方面已有所论述，而约翰·伊顿也在教学基础课上，针对质地因素，结合形态、形色构成进行简单的实验性训练，但他们都没能像形态、色彩学那样，作为视觉要素较为系统的进行深入分析与研究。在我国，尤其是在中国绘画史上，有关绘画语言表达功能方面的论述十分缺乏，只有个别专著在形态、形色上略有表述。在导师的启发指导下，本人通过研究相关资料，发现在质地语言的表述上至今尚为空缺。希望在研究中外大师在质地语言成功应用的同时，结合本人的艺术实践，从无意识到潜意识，从无知到自觉，辩证地去探讨与把握，但愿能为中国绘画相关这方面的内容加以梳理与总结。更多还原

【Abstract】 Papers on the theory of the texture application are very few. Patrick Frankdiscussed the texture in his book the Art Forms: The Principle of Visual Art, and JohnEaton also carried out experimental training on the texture, which combined with theforms and the color composition, in his teaching classes, but they did not conductin-depth and systematic analysis and research on this factor. In China, especially inhistory of the Chinese painting, papers discussing on the expression of paintinglanguage are few and far between. Papers or books on the forms and color compositioncan be counted. Under the guidance and inspiration of the supervisor, the authorresearched related materials, finding the expression of texture language is a newresearch field.With the research of the application of texture language of the masters both fromChina and abroad, and combined with the author’s artistic practices, this papersystematically sorted out and summarized the contents regarding this field in the historyof the Chinese painting.更多还原