【作者】 李晶；

【导师】 李豫；

【作者基本信息】 山西大学 ， 中国古典文献学， 2013， 硕士

【摘要】 在中国南方浙江、安徽、江西、四川、云南、贵州等地区的民间传说中,“张四姐和崔文瑞”、“摇钱树”的故事广为流传,根据笔者对其资料的搜集,除在孔夫子旧书网上从浙江温州人处拍卖购得浙江丽水龙泉县发现的一种唱书《新刊说唱摆花张四姐出身传》孤本文本文献外,还搜集到《摇钱树》、《新编说唱摆花张四姐大闹东京传》、《张四姐大闹东京全本》等不同若干版本。本文既是针对《新刊说唱摆花张四姐出身传》与其相关说唱版本之间的横向关系研究,也是针对《新刊说唱摆花张四姐出身传》及其相关说唱版本与《明成化说唱词话》之间的纵向关系研究,运用历史文学版本考证、逻辑分析推理认为《新刊说唱摆花张四姐出身传》及其相关说唱版本是一批元明时期说唱词话的“历史遗留作品”,那么存在至今的各种表演活动则极有可能是元明说唱词话流传至今的一种“活化石”,这对于我们今天无论元明说唱词话体裁的定位、鉴定、搜集,还是非物质文化遗产的创新、继承、借鉴都具有重要的学术价值和现实意义。全文共分为六个部分：引言部分,主要叙述了本论文选题研究缘起和意义以及所使用的研究方法。第一章探讨考述了本论文所搜集到的《新刊说唱摆花张四姐出身传》以及目前所搜集到的十三种“张四姐”、“崔文瑞”、“摇钱树”的相关《张四姐》说唱文本。第二章《新刊说唱摆花张四姐出身传》之文本特征,分别从刊行时间、刊行地点、主要故事情节、正文形式等方面进行了初步研究。第三章《张四姐》说唱文本与《明成化说唱词话》两者之间通过对其书名、卷首卷末语、说唱连接形式、句式押韵形式、语言风格等方面进行比较研究。第四章《张四姐》说唱文本中故事内容所折射出的蒙元民间思想。结语《张四姐》说唱文本是元明说唱词话之“历史遗留作品”,这个问题的初步解决和得出的结论对于我们鉴定现存世的元明说唱词话提供了典型范例依据,也为元明说唱词话文学史的全面揭示和撰写打开了一扇新的窗口。更多还原

【Abstract】 In southern China, Zhejiang, Anhui, Jiangxi, Sichuan, Yunnan, Guizhou, Anhui, in the folklore of the region,"Zhang Sijie and Cui Wenrui,""money tree" story widely circulated. According to author’s collection, besides of the orphan book called The Born biography of Zhang Sijie in New Issue, which was found in Zhejiang Lishui Longquan County, had bought online from a Zhejiang Wenzhou person, the author also collected The Cash Cow, The new version of Zhang Sijie in Tokyo, All about Zhang Sijie in Tokyo, and other different versions. This article studies the relationship of The Born biography of Zhang Sijie and referring rap versions, not only for the horizontal relationship between them, but also for the vertical relationship with The rap text in Chenghua years of Ming.Using historical versions of literature research analysis, logical reasoning, it’s inferred that The Born biography of Zhang Sijie and referring rap versions is a group of "historical works" in Yuan and Ming periods, so various performances to date is most likely a "living fossil" spreading so far from Yuan and Ming dynasties.This part is of great academic value and practical significance, not only just for the location, identification, collection of the libretto in Yuan and Ming dynasties, but also for the succession of innovation and rational using of the non-material cultural heritage.The text is divided into six parts:The part of Introduction, major described the genesis and significance of this thesis research and the research methods used.Chapter1, discussed the different versions in the thesis, besides of The Born biography of Zhang Sijie, there are thirteen kinds of Zhang Sijie have been collected so far, like "Zhang Sijie""Cui Wenrui""The Cash Cow" and so on.Chapter2studied The Born biography of Zhang Sijie preliminarily in the aspects of the time and place of the publication, the major storylines, and the body etc. Chapter3compared the rap text of Zhang Sijie with The Rap Text in Ming Chenghua periods in the aspects of the title, the words at the first and end Volume, Connection between libretto and narration, Sentence rhymes, Language style and so on.Chapter4studied the Civil ideological of the Yuan Dynasty, which reflected from the rap text of Zhang Sijie.In the conclusion, the thesis summed up that the rap text of Zhang Sijie is a "historical works" of Yuan and Ming periods, the initial solution and the conclusion provides a typical example for us to qualify the existing libretto of Yuan and Ming periods, and has opened a new window for the full reveal and writing of the libretto of Yuan and Ming’s literary history.更多还原