路遥小说观念研究

【作者】 张旭；

【导师】 古风；

【作者基本信息】 扬州大学 ， 文艺学， 2012， 硕士

【摘要】 作为当代著名作家,路遥留给我们的文学遗产,除了具有史诗般品格的小说文本,还有他对于小说创作艺术的探索和思考。他的创作随笔及访谈等文章,不但记录了他在创作时的艺术构思过程,还表达了他对小说这一文体的深刻认识,内容涉及到小说创作中的许多问题。可以说,路遥不仅仅是一位小说作家,还是一位对人生、对小说创作充满激情和睿智的小说理论家。因此,研究路遥及其作品,仅仅对小说文本进行分析是不够的,还必须结合他的创作随笔等文章,对他的小说观念进行研究。只有这样才能够比较全面地认识路遥在我国当代文学史上的地位。论文分为两个部分,第一部分是对于几个小说观念概念的界定和阐释；第二部分是论文的主体部分,即对于路遥的小说观念进行比较全面的论述。本文的创新点可以用一句话来概括,就是用路遥自己的话语,比较全面地梳理和提炼路遥的小说观念。具体内容有以下几个方面：其一、论述路遥小说观念形成的社会环境和文学环境；其二、对“城乡交叉地带”的概念内涵和形成原因进行阐释,并结合路遥小说创作实践进行分析；其三、对“无榜样”小说人物观的概念内涵进行阐释,并结合路遥小说创作实践加以印证；其四、解析“终点说”的基本内涵,并从“结局”和“终点”两个角度对路遥小说创作实践进行分析；其五、对“介入式”小说叙事方法进行论述,并结合路遥小说创作实践进行具体分析。总之,“城乡交叉地带”是题材定位,是路遥小说的主要表现领域,体现了改革开放初期的社会基本特征；“无榜样”小说人物的塑造,是刻意表现人物性格的复杂性；“终点说”是对于传统的“大团圆结局”模式的反驳,是强调社会矛盾的复杂性和延续性；“介入式”小说叙事方法是对于“第三人称”叙事方法的补充,让作者巧妙地介入到叙事现场中来。这些内容的整合就构成了路遥的小说观念。由此可见,路遥的小说观念,既表现在他的创作随笔中,也体现在他的小说创作实践中,两者的关系是理论与实践的统一。路遥的小说观念,是在对于建国以来的小说创作的反思和对于自己小说创作经验的总结基础上形成的,因而具有一定的探索性、实践性和进步性。更多还原

【Abstract】 As a renowned writer, the literary heritage Lu Yao left us contains his exploration and thinking on the novels in addition to the epic text itself. His essays, interviews and other articles, not only records his artistic ideas, but also expresses his deep understanding on the novel, involving many issues during his authoring process. It can be said that Lu Yao is not just a novelist; moreover, he is a novel theorists full of passion and wisdom in his life and novel authoring. Therefore, it is far from enough to only analyze the text when studying on Lu Yao and his works, we must combine his essays etc., so as to learn about his novel ideas. Only in this way can a more comprehensive understanding on Lu Yao’s position in the history of contemporary Chinese literature can be achieved.This paper is into two parts, the first part is to define and explain the concepts of several novel ideas; the second part is the main part of this paper, which is, presenting more comprehensive exposition on the concept of Lu Yao’s novels. The innovative ideas in this paper can be summed up in one sentence-applying Lu Yao’s own words to more comprehensively card and refine his concept of novels. The specific content has following aspects:first, discuss the background social environment and literature environment under which Lu Yao’s novels concept formed; second, interpret the concept connotation and forming causes for " cross zone between urban and rural ", and combine with Lu’s novels creation practice for analysis; third, interpret the concept connotation of "no example" character involved in the novels, and combine with Lu’s novels creation practice to confirm it; fourth, study the basic connotation of "End theory", and analyze the creation practice of Lu’s novel from two angles-"outcomes" and "end"; fifth, discuss the "intervention-type" novel narrative, and combine the practice of Lu Yao’s novels for specific analysis.Anyway,"cross zone between urban and rural" is the theme positioning and main described area of Lu’s novels, reflecting the social basic features in the early Reform And Opening Up period; the shaping of "no example" character is to deliberately perform the character’s complexity;"End theory" is the wash-back against traditional "happy outcomes" mode, to stress complexity and continuity of social contradictions;"intervention-type" novels narrative method is the supplement for "third person" narrative method, enabling the author to be cutely intervened into the narrative site. Such consolidation constitutes the concept of Lu Yao’s novels. It can be seen that the concept of Lu Yao’s novels is shown in both his essays and creation practice, the relationship between which is exactly the unity between theory and practice. The concept of Lu Yao’s novels is the reflection on novels since the Foundation of New China, which also formed on the basis of his novel creation experience, therefore, Lu’s novels are of exploration, practice and progress to a certain degree.更多还原