【作者】 王铮；

【导师】 侯志江；

【作者基本信息】 河北师范大学 ， 美术， 2013， 硕士

【摘要】 主观性创造出的色彩语言在油画人物创作中是一个艺术家全面综合的个性透视和艺术修养的整体展现。长期以来，油画人物创作中主观色彩语言的表现形式一直是我在研究生学习期间思考和探索的课题，这篇论文是结合我的毕业创作进行的探索论证。主观创造色彩应用于油画创作中，是从后印象主义开始的，塞上、梵高等一系列现代派大师带领着运用主观色彩语言进行绘画创作。从此，出现了各种现代派大师，他们都是以主观化的色彩语言来表达艺术家的情感理念和精神。这些大师的作品都是值得我们学习借鉴的佳作和范本。并且，中国的当代油画人物作品大多已经具备主观色彩语言，研究这一点可以更好的指导画家进行创作，指导大众进行审美。更多还原

【Abstract】 The subjective language painting character creation is a comprehensive and integratedpersonality of an artist perspective and artistic accomplishments of the whole show. A longtime, the form of expression of the the painting character creation subjective language hasbeen during graduate studies, I think and explore the topic, this paper is a combination of mygraduation work exploring argument.The subjective color used in oil painting, from post-impressionism, stuffed, Van Goghand other modern masters using subjective language creation. Since then, there have been avariety of modern masters, they are based on subjective colorful language to express thephilosophy and spirit of the artist’s emotional. The works of these masters is well worthlearning to draw masterpiece and templates.And Chinese contemporary oil paintings of the character work mostly with subjectivecolor language study that can better guide the painter to create mass aesthetic.更多还原