【作者】 刘斌；

【导师】 王可大；

【作者基本信息】 广西师范大学 ， 美术学， 2013， 硕士

【摘要】 20世纪中国绘画向西方学习,21世纪中国画家需要吸收和借鉴西方,去其糟粕取其精华,肩负创造具有本民族特色的油画语言形式的任务。油画风景写生课作为油画创作基础在油画风景写生教学中需要思维的转变、理念的更新,勇于创新和尝试不同艺术表现形式。油画最大的魅力是色彩,色彩在画家主观的营造下表达画家的某种情感,情感的融入便是创作的开始。本文强调风景油画写生的重要性,写生中面对的取景构图、色彩等一切油画语言形式都是在画家主观的营造下完成的,必然带有创作的意味。21世纪中国需要基于中国本土的油画语言,所以将中国本土元素融入油画写生创作中是必然的。文章第一章节主要讲21世纪中国油画风景写生的意义和作用。论述了油画风景写生中的情感表达,油画风景写生中各要素,如构图、色彩、笔触等各个要素的作用。绘画是种视觉语言,油画作品中的构图、色彩及笔触等都是为了这个目的,相互作用达到最后画者所要传递的视觉感受的。油画写生是画家感悟大自然,借景抒情的最好方式,画家把自己的情感融入到作品中。美学家宗白华说：“一切美的感觉是来自心灵的源泉,没有心灵的映射,是无所谓美的。”写生构图时的整体观察,是检验画家写生水平的重要标准。色彩是油画风景的生命,写生作品中色彩和画家个人风格关系密切,以莫奈、梵高、蒙克的作品,阐述了色彩的主观性、象征性和表现性在画家情感表达中的作用。笔触作为油画风景写生创作中最主要的表现手段,是油画视觉语言的最强音。文章第二章从油画风景写的重要性开始,阐述了写生与创作的异同,绘画中写生是创作的基础,以及如何在写生中创作,创作中写生。艺术来源于生活,艺术的创作更离不开现实生活,突出了油画风景写生的重要性,得出“创作型写生”的新形式。创作时画家主观能动性的施展,其中想象力在油画写生创作中起着中流砥柱般的作用。写生中创作的最主要形式是“系列”,就是组画的形式。文章第三章讲的是在中国油画写生与创作的优势,我国幅员辽阔,南北东西地貌特征明显,不同的地貌特征要求不同的油画表达方式,为画家的创作提供了天然的素材。艺术之间是相通的,其他画种对油画的发展有很大的借鉴作用。中国山水画中,强调“一画一世界”,意境是中国美学思想的重要范畴,是中国绘画的最重要特征之一。中国画在取景、构图表现上处处关照着意境。意境理论可以作为中国山水画与西方油画结合的契合点。因为不管何种画种的写生都是人与自然、人与艺术、人与生活的展示。油画作为舶来艺术,势必与中国本土文化结合,经过几十年的努力,中国的写意油画已成体系。例如,我国出现了吴冠中、洪陵、张冬峰等热衷于反映地域文化的写生作品。艺术不断向多元化、多层次、个性化发展,美术创作需要创新精神。这就要求画家和学生,提高自身素质,平时多积累、多感受。作品的创新要与技术相结合,例如,笔触的技巧就是油画写生创作的创新点,笔触是画家心灵的痕迹,是画家独一无二的标签。艺术不是追随自然,也不是重复别人,艺术的发展需要画家的热情和探索精神。最后,美学家舒曼则认为画家的职责就是给人的心底送去光明。画家应该在大自然的一草一木中发现无意折下的那根枯枝,不经意飘落的黄叶。画家的最终目的就是通过画面表达自己的感受,与观者产生共鸣。画家应该更加努力地需找本土的油画表现形式,在油画风景写生中去创作,创作中写生。更多还原

【Abstract】 In twentieth Century the Chinese painting to learn from the west,21CN artists need to absorb and learn from the west, go to its dregs its essence, bear with the national characteristics of the language of oil painting form task creation. As the basis of the creation of oil painting landscape painting class need the change of thinking, conception in landscape painting teaching in the update, dares to innovate and try different art forms. Oil painting is the greatest charm of color, and the color can express certain emotions painter in the painter’s subjective construction, the integration of emotion is the beginning of creation. This paper emphasizes the importance of landscape oil painting, painting in the face of composition, color and all other painting language form is completed in the painter’s subjective under construction, with the inevitable creation means.21CN China oil painting language based on local needs, so the Chinese elements into the oil painting creation is inevitable.Effect and significance of the first chapter is mainly about21CN oil landscape painting. The emotional expression in landscape painting, the elements of landscape painting, such as composition, color, style and other factors. Painting is a visual language, painting in the composition, color and strokes are for this purpose, the interaction at the end of the painting to convey the visual perception. Oil painting is the painter feeling of nature, by the best way to view the lyric, painters put their feelings into the works. American scientist Zong Baihua said:"all the sense of beauty is the source from the heart, not mind mapping, there is no beauty." The overall observed painting composition, is an important standard to test the level of the painter painting. Color is closely related to the life of landscape painting, color and sketch artist works in personal style, with Mo Nai, Van Gogh, Monck’s works, expounds the subjective color, symbol and performance in the role of emotional expression of the artist. His landscape painting creation as the main means of expression, is the strongest voice in the visual language of painting. The second chapter starts from the importance of landscape painting to write, expounds the similarities and differences of painting and writing, painting, sketching is based, as well as how in the painting creation, creation of the painting. Art comes from life, art creation are inseparable from.the real life, highlights the importance of landscape painting, the "new forms of creative painting". Display artist initiative creation, which plays a role of mainstay of imagination in oil painting creation. The main form of painting in the creation of the "series", is set in the form of.The third chapter is about the Chinese oil painting and creative advantage, China has a vast territory, characteristics of landform and physiognomy. Obviously, different requirements for different painting expression way, provides a natural material for painters. Art is the same, has a great reference for other kinds of painting to oil painting development. Chinese landscape painting, stressed that "a painting a world", the artistic conception is an important category in Chinese aesthetics, is one of the most important features of Chinese painting. Chinese painting in the viewfinder, composition, performance is taken care of artistic conception. The theory of artistic conception can fit as a combination of Chinese landscape painting and Western oil painting. Because no matter what kind of painting sketch is human and nature, human and art, people and life show. Painting as an art, which is combined with the local culture of China, after decades of efforts, China has become the painting system. For example, our country appeared Wu Guanzhong, Hong Ling, Zhang Dongfeng is keen to reflect regional culture sketches. The art development of diversified, multi-level, personalized, art creation needs the spirit of innovation. This requires the artists and students, improve their own quality, accumulate more at ordinary times, many feelings. The innovation works with, such as technology, stroke technique is innovation of oil painting creation, strokes are the soul of the artists is the one and only traces of artist, label. Art is not to follow the natural, not repeat what others, the need of the development of art painter’s enthusiasm and the spirit of exploration.Finally, esthetician Schuhmann that the painter’s duty is to the human heart to light. The artist should be in the nature of every tree and Bush found accidentally in the branches broken off, inadvertently falling leaves. The final purpose of the painter is to express their feelings through pictures, resonate with the audience. More efforts need to find local oil painting form painter should go in, the creation of landscape painting in the creation of painting.更多还原