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莱哈尔轻歌剧咏叹调《维莉亚之歌》的演唱分析
【作者】 张蕾;
【导师】 郇玖妹;
【作者基本信息】 山东师范大学 , 艺术(专业学位), 2013, 硕士
【摘要】 弗朗茨·莱哈尔是20世纪最重要的轻歌剧作曲家之一,是维也纳轻歌剧银色时代的创始者。他的轻歌剧《风流寡妇》在维也纳轻歌剧舞台上盛演不衰,是20世纪最杰出的轻歌剧代表作。《风流寡妇》是他在奥地利维也纳时期创作的一部三幕轻歌剧的经典之作,此剧由雷翁斯坦和维克托莱昂创作脚本,根据法国梅亚克的戏剧《大使馆随员》改编而成。《维莉亚之歌》是莱哈尔轻歌剧《风流寡妇》中抒情女高音的经典唱段。咏叹调《维莉亚之歌》作为开场,出现在轻歌剧《风流寡妇》的第二幕。女主人安娜在她的花园里举行了一个盛大的招待会。她为宾客们演唱了一首优美动人的咏叹调《维莉亚之歌》,讲述了森林女神维莉亚用她那惊人的美貌诱骗一位猎人的神话故事。本文结合自身的嗓音条件以及所学专业,以《维莉亚之歌》这首咏叹调为切入点,根据作曲家莱哈尔的生平以及维也纳轻歌剧的产生与发展,对《风流寡妇》的诞生进行简要介绍。再从《维莉亚之歌》的音乐风格和音乐结构两方面进行分析,结合自身的演唱经验,在语言、呼吸及情感表达方面进行梳理。希望通过对这部作品的背景、音乐、演唱方面的深入研究,为今后演唱此咏叹调的歌者提供一定的参考价值,从而实现对歌剧人物的完美塑造。
【Abstract】 Franz Lehar is the most important of the20th century, the operetta composer, one,he is a the Vienna operetta silver era leader, his works inherited the tradition ofViennese operetta."The Merry Widow" Lehar’s classic period in Vienna, Austria, is a three-actoperetta,"embassy attache," the Lehar according to the drama of the Frenchplaywright Mei Yake adapted from works by Ray Weng Stan, Victor Leon creativescript.The aria "Wei Liya Song" appears in the second act of the opera "The MerryWidow" on in the the grand garden conference held by the residence of the heroineAnna, Anna is not only invited countries diplomats invited folk dance artist dance fun.After some dance full of national characteristics, a the heroine Hannah’s famous aria"Wei Liya Song". Classics aria Hannah about people in a mountain forest goddessWei Liya with her striking beauty trick a hunter story. The Franz Lehar use a lot ofbeautiful music to depict the story.This article I combine voice conditions and major aria of the "Veria Song" as astarting point, the first combination of the life of the composer Lehar and theemergence and development of the Viennese operetta,"The Merry Widow"the birth ofa brief overview. Again from Veria Song "creative background music structureanalysis of these two aspects of these arias overall grasp, and then combine theirconcert experience presented two major aspects of the shaping and stageperformances in operetta characters concert recommendations. I intend to in-depthstudy of this work, after singing this aria provide some reference to achieve theperfect opera character shaping.
- 【网络出版投稿人】 山东师范大学 【网络出版年期】2013年 09期
- 【分类号】J617.2
- 【被引频次】11
- 【下载频次】273