没骨之骨

【作者】 张爽；

【导师】 孙静茹；

【作者基本信息】 辽宁师范大学 ， 美术学， 2012， 硕士

【摘要】 “没骨”作为中国传统绘画中的一个重要技法，千百年来以其无数优秀的作品，焕发着无穷的魅力。本人以“没骨”的概念作为其切入点，通过古代、当代没骨艺术等最具代表性的画家、优秀作品进行分析。在漫长的没骨艺术发展过程中，寻求没骨艺术真正的“骨”。本文以没骨，“骨”在哪里？为题，分为四个部分进行论述：第一部分：寻找中国古代则学思想中有关没骨艺术形态的理论依据。通过引用古典哲学思想，分析其深层次的意义，搜集所需材料，分析没骨画家对其哲学思想的应用。第二部分：通过工笔、写意、没骨三个传统技法的对比，寻找三个技法当中更深层次的技法差别、理论差别，从而引出没骨当中的“骨法用笔”。第三部分：通过最具代表性的没骨画家及其艺术作品，试着分析出没骨之骨在于其“气”、“色”、“真”、“情”。通过近、当代的艺术家的没骨艺术窥见其没骨现状。第四部分：传统没骨艺术对现代艺术有何启示，浅谈没骨以后今后的发展之路。更多还原

【Abstract】 Through the "boneless" as an important traditional Chinese painting techniques, forthousands of years for its numerous excellent works, full of infinite charm. I "boneless"concept as its starting point, analyze the most representative of the ancient, contemporary,boneless art painter, good works. In the long boneless artistic development process, seeknot the real art of bone "bone".boneless,"bone" Where? Discussed the theme, divided into five parts:Section one：The ideas about boneless art forms the theoretical basis to find in ancientChina. By reference to classical philosophy, to analyze the deeper meaning, to collect therequired materials, analyze the application of the of boneless painter philosophy.Section two：Through meticulous, freehand, boneless to the comparison of the threetraditional techniques, looking for a deeper level of technique difference in the threetechniques, theoretical differences, which leads to mo gu which bone a pen.Section three：boneless of the most representative artists and their works of art, try toanalyze the haunt of the bone of the bone in its "gas","color","true","feeling". Nearlyboneless art of contemporary artists to get a glimpse of its status boneless.Section four：Tradition did not What are the implications of the bone Art of Modern Art,On the boneless after future development更多还原