【作者】 王建明；

【导师】 安佳；

【作者基本信息】 北京服装学院 ， 美术学， 2012， 硕士

【摘要】 在科技飞速发展的今天，中国画的发展一直处于“借古”与“融西”的过程中，如何继承和创新是画界和史论界持续讨论的重点问题。近年来，材料、技法得到了不断发展，没骨画作为中国传统绘画的重要一脉，也在探索中得到了发展。这不仅包括材料技法的变化，也包括观念意识和艺术形式求新。没骨画起源于南北朝时代张僧繇的“凹凸花”，创始于五代的徐熙，到北宋的徐崇嗣正式确立没骨画派，明清是没骨画的发展的高峰期。没骨画虽然作为中国绘画艺术不可缺少的组成部分，但在当代中国画的发展中却相对薄弱。在新的时代，重新认识没骨画，不断继承和发展其优秀的传统，探索新的构成形式和表现技法，使没骨画不断绽放出新的光彩，应是当代人不可推卸的责任。那么，没骨画在当下应该如何继承传统，传统又给我们留下了些什么，或者说其优秀传统在当代没骨画的创作中具有什么作用，如何通过传承优秀的技法和艺术形式，使没骨画推陈出新，是必须从理论和实践中做出回答的。本文以《明清没骨画对当代没骨画发展的影响》为题，就明清没骨画对当代没骨画发展的影响为研究对象，力求从没骨画发展的历史和明清没骨画发展的状况展开，并以孙隆、恽寿平等没骨大家为案例分析明清没骨画在当时时代背景下的集大成和再创新。另外，结合当代没骨画家作品，论证明清没骨画对当代没骨画发展的影响。期待当代没骨画家能够借鉴明清没骨画的技法和观察方法，在吸收传统的同时能够取得突破，进一步分析当代没骨画对明清没骨画的吸收和借鉴，希望没骨画在当代艺术发展中取得更大的成绩。更多还原

【Abstract】 With science and technology rapid development today, the development of Chinese paintinghas been in the process of "borrow ancient" and "melting west",how to inherit and innovate is amajor issue continually discussed by historians and painters. In recent years, With thedevelopment of skills and materials, as one of the major vein traditional Chinese paintingsMogu Painting also obtained the development in exploration, which included not only thechange of material and skills, but also the innovation of concept consciousness and art form.Mogu Painting originated from Zhang Sengyou’s “bump flower" in the Northern andSouthern Dynasties, founded by Xu Xi in the Five Dynasties, formally established by XuChongsi in Northern Song Dynasty and Mogu Painting of the peak occurred in Ming and QingDynasties. Though acting as an indispensable part of Chinese painting art, its development incontemporary Chinese painting is relatively weak. In the new era, it is our responsibility tore-know Mogu Painting, to inherit and develop its fine tradition and to explore the newconstitution form and performance skills, making Mogu Painting constantly blossom. So for theMogu Painting in the present,,we should answer the following questions from theory andpractice, how to inherit its traditional, what effect its fine tradition on contemporary drawinginnovation, how to innovate Mogu Painting through the inheriting good skills and art form.This article " The influence of Mogu Painting in Ming and Qing Dynasty on hedevelopment of contemporary Mogu Painting ", beginning on Mogu Painting developmenthistory and the Ming and Qing Dynasties, taking masters such as SunLong, Yun Shouping forcases to analyze the Mogu Painting epitomizing and innovating in Ming and Qing Dynasties. Inaddition, with the combination of contemporary artists’ Mogu Painting works, I will analyze theeffect Mogu Painting in Ming and Qing Dynasties on he development of contemporary Mogu Painting. It may help contemporary Mogu Painting painter refer the Ming and Qing DynastiesMogu Painting skills and observation methods, get breakthrough at the same time absorbing thetraditions, hoping Mogu Painting in the development of the contemporary art make greaterachievements.更多还原