【作者】 李光辉；

【导师】 杨栋；

【作者基本信息】 河北师范大学 ， 中国古代文学， 2012， 硕士

【摘要】 《九宫正始》是南曲史上一部重要的曲谱，三十年代发现之后在研究界产生了很大影响。书中有所谓的“唐谱”和“元谱”，致使本来就模糊的南曲曲谱历史更加紊乱。本文旨在对《九宫正始》渊源作一考述，以便明晰南曲曲谱的形成、发展历程。“唐谱”所含曲调，均与唐宋文献记载不同，甚且，有的产生宋代之后。同时，它也不是宋代词谱《乐府混成集》中的一部分。它使用的“过曲”等术语，是明代曲学家所创造的，钮少雅早年曾编撰南曲曲谱，结合《九宫正始·自序》可以认定：“唐谱”就是这部早年曲谱。至于“元谱”，它使用的宫调体系形成于明初，所引用的《琵琶记》、《杀狗记》、《南西厢记》等南戏作品，也产生于元末明初。显然，“元谱”是明代曲谱。同时，“元谱”和冯梦龙、沈自晋见到的徐于室曲谱稿件相吻合。由此，可以得出结论：“元谱”就是明代徐于室所作的曲谱。《九宫正始》不赞同沈璟《南曲全谱》以明代坊本为依据记录曲牌新式，而主张引用宋元旧作记录曲牌的初始格律，因此在曲牌和例曲两方面对沈谱作了补正。《正始》进一步考察了曲牌的宫调归属、名称，规范了集曲，并探寻了文体规律。此外，它依据宋元南戏的古本、善本，对沈谱例曲分别进行了校正、替换，在此基础上，又新增了大量例曲。与前人曲谱相比，《九宫正始》新增曲牌l68个，这些曲牌或是前代曲谱失载的宋元旧曲，或是明中期以前曲家创制的新声。它们反映了南戏发展史上，南曲曲牌的消失与新生。更多还原

【Abstract】 The book of Jiugong Zhengshi plays an important role in the history of the southernDrama Nanxi.Since discovered in1930s,it had had great influence on academic field.Theso-called Tang Pu and Yuan Pu in the book made the vague history of southern Drama Nanximuch vaguer. The aim of this paper is to look into the origin of Jiugong Zhengshi so thatpeople can have a better command of the road how southern Drama Nanxi formed anddeveloped.Some of the Qudiaos which were contained in Tang Pu were not created in TangDynasty,some of which were even produced after Song Dynasty.In addition,it was neither aport of the book Yuefu Hunchengji.Combined with the prologue of Jiugong Zhengshi,We canconclude that the book Tang Pu is the one that was complied by Niu Shaoya some years ago.For Yuan Pu,the system of Gong diao in it was formed in the early MingDynasty.And,the dramas of Pi Pa,Xi xiang and Killing the Dog which were quoted in it werealos created in the time form the late Yuan Dynasty to Ming Dynasty.Obviously,Yuan Pu wasa Qupu created in Ming Dynasty,which is the same as the manuscript of XuYushi.Consequently,it is safe to conclude that Yuan Pu was created by Xu Yushi in MingDynasty.Jiugong Zhengshi did not approve to record the rules of Qu Pai according to the books ofthe Ming Dynasty,but to record them according to the books before, so it had adaptedsomething in both Qu Pai and Liqu aspects.What’s more,Jiugong Zhengshi studied thebelonging and names of Qu Pai further,standardize Ji qu and replaced the Li qu of Nan quQuan pu,respectively,according to the ancient books and reliable text of Nan xi,based onwhich,it also expanded the content.Compared with the ancient Qu pu, Jiugong Zhengshi had added168new Qu Pai,some ofwhich were old while some were new.They reflected the Vanishing and appearing of Qu Paiin the history of the southern Drama Nanxi.更多还原