恪守与拓展

【作者】 王玲玲；

【导师】 吴可人；

【作者基本信息】 南京师范大学 ， 设计艺术学， 2012， 硕士

【摘要】 漆画艺术是一门既古老又现代的艺术,最早的漆画附属于古代漆器上,真正意义上的漆画从60年代初始到80年代第六届全国美展成为独立画种,至今则不过五十余年。漆画从一开始崇尚装饰,现在走上架上绘画已经呈现多元化的面貌,不同艺术观念指导下使漆画作品风格趋于多样,具象写实的、抽象的、观念的……已成为普遍现象;在媒材的运用上,也是恪守的、融合的、拓展的各呈其貌,在当代艺术多元化观念的感召下,中国漆画的发展正由几代漆画人的不懈努力和勇于探索,不断向前推进。论文旨在审视中国当代漆画艺术风格流变和研究漆画家创作群的画风走向,展开层次多元化的研究视域,通过全景式的写照,拉近与中国当代漆画的距离,将研究体会和思路呈现给读者。更多还原

【Abstract】 Lacquer painting art is a both ancient and modern art, the earliest lacquer painting is attached to the ancient lacquerware, real sense of lacquer painting since the s to the80s initial sixth national arts exhibition as an independent type, so far, but50years. Lacquer painting from the beginning advocate adornment, now on shelf is already on the face of the painting diversification, different artistic concept that under the guidance of the exhibited works style tend to diversity, concrete realistically, abstract and concept of......Has become a common phenomenon; In the use of the media, and abide by, the development of fusion, all is the ugly, in the contemporary art diversified concept under the influence, the development of Chinese lacquer painting by generations of lacquer painting is the unremitting efforts and the courage to explore, and constantly advancing. The purpose of contemporary Chinese lacquer painting art style at rheological and research of lacquer painting home creation style to, the research on level diversified sight, through the portrayal of overall, close and contemporary Chinese lacquer painting distance, will study experience and ideas presented to the reader.更多还原