【作者】 吴海燕；

【导师】 袁勇麟；

【作者基本信息】 福建师范大学 ， 传播学， 2012， 硕士

【摘要】 本文通过对台湾客家族群和客家电视台之间关系的分析,试图从历史和现实的角度,利用文化研究的方法,了解台湾客家族群想象的共同体的形成过程,客家电视台是怎样再现客家族群的,客家族群的“主体”地位又是如何确立的?通过研究发现,客家族群具有相对恒定的“族性”,又处于不断变化之中,客家电视台的出现是台湾威权主义每况愈下之后出现的软性“意识形态国家机器”。在一定程度上,客家电视台仍旧未摆脱政治势力的干预局面,而客家“主体”叙事包裹在客家族群发声的强烈愿望之中,其实并未真正完成。更多还原

【Abstract】 This article analyzes the relationships between the Taiwan Hakka ethnic and Hakka TV,uses cultural research method and attempts from the point of view of history and reality, in order to know the Taiwan Hakka ethnic of the imagination of the forming process as well as the way to reproduce the Hakka TV and how to establish "subject" status of Hakka ethnic. Through the study, We find that Hakka ethnic has relatively constant "Ethnic personality"that is constantly changing. Hakka TV’s emergence occurred when the Taiwan Authoritarianism closed to its ends. It is a soft ideological stage apparatuses. In a way, Hakka TV still not get rid of political power the intervention of the situation, and Hakka "subject" narrative is wrapped in the sound of strong desire from Hakka ethnic.It has not finished for real.更多还原