【作者】 刘东升；

【导师】 赵越喆；

【作者基本信息】 华南理工大学 ， 建筑技术科学， 2012， 硕士

【摘要】 粤剧被誉为“南国红豆”，源于岭南地区，历经数代，流传至今。岭南地区传统戏场是粤剧的载体，它伴随着粤剧的发展而发展。岭南地区传统戏场在建筑和声学设计上极具特色。对其进行深入细致地研究，有利于填补岭南地区传统戏场建筑的研究空白。同时目前很多古戏场都已被毁坏或是荒废，保护工作不力，一些破坏过的戏场在翻新后失去了昔日的风采，因此急需开展传统戏场建筑的研究以利于抢救保护工作。为了为传统戏场的研究和保护工作提供第一手的实证资料，本文对岭南十三座有代表性的古戏场进行实地调研，详细描述了其建筑特点。本文将古戏场的声环境研究作为一大重点，对六座古戏场进行实地测试和计算机仿真分析，深入分析了传统戏场建筑戏场空间与乐台空间的声环境特点，并针对这种无顶空间的音质，对不同围合状况的戏场声环境进行对比分析，同时分析了岭南古戏场一大建筑特色——藻井的声学贡献。研究发现古戏场的戏场空间的声场分布跟戏场的围合状况有关，乐台空间有良好的支持度因子，藻井结构对乐台声环境有一定的声学贡献。以上研究成果能为我国民族观演类建筑的声学设计工作提供参考和借鉴。更多还原

【Abstract】 Guangdong Opera, which is known as the southern red beans of Lingnan regions, has beenspread from generation by generation. And its platform-the traditional theatre，which isdeveloped following the grouth of Guangdong Opera, is unique for its architectural and acousticaldesign. This reasearch aims to fill the blank of the research in Lingnan traditional theatre. In thepast decades, a lot of the ancient theatres have been destroyed or abandoned, as little effor hasbeen done to protect them. Meanwhile, even if some of traditional theatres were refurbished, theiroriginal characters were lost. Thus, a research on traditional theater is urgently necessary andworth to be done for it would be very helpful to rescue these precious culture heritages.In order to collect first-hand empirical data for the protection work, thirteen ancient theatresin Lingnan regions were surveyed and their typical characters and details were studied in thisthesis. The main part of this research focuses on the acoustic environment of traditional theatres.Methods used include field measurement and simulation with samples of six selected ancienttheatres. The acoustic characteristics of their audience field and stage were analyzed deeplytogether with the sound quality of uncoverd space. The author also compares the acousticalenvironment qualities under different surrounding environments and analyzes the acoustic effectsof caisson, which is most important architectural feature of traditional Lingnan ancient theatre.The author finds that the spatial chareacters of the sound field in a traditional theater has astrong connection with its surrounding environment, while the stage has good support factors, andthe acoustic effects of caisson are confirmed. These discoveries can be taken as strongeveidences for supporting future studies in the area of theatre’s acoustics.更多还原