【作者】 李静；

【导师】 周相录；

【作者基本信息】 河南师范大学 ， 中国古代文学， 2012， 硕士

【摘要】 孟浩然与王维并称为“王孟”，是有唐山水田园诗派的开创性代表人物，他的诗歌在中国文学史上地位重要。与其相关的研究论著内容丰富、范围宽广。本文欲以孟浩然的196首近体诗为研究对象，从诗歌的基本构建元素意象入手，通过对意象组合的分析，对孟浩然近体诗作全面系统的分析研究，旨在为进一步深入研究孟浩然近体诗提供一个全新的角度。全文共为四个部分。绪言章节对意象的发展做了简要梳理，指出孟浩然近体诗意象的研究价值并对论文写作的缘起、选题的意义以及研究现状做了大致介绍。第一章主要梳理探讨孟浩然近体诗的意象类型及特征，从内容范畴的角度对孟浩然近体诗的意象做具体分类、简要说明和特征阐述。第二章从孟浩然近体诗意象的组合方式上，分析孟浩然近体诗的特色。第三章主要探讨孟浩然近体诗的美学特质，以审美为角度，通过对孟浩然近体诗的意象和具体诗作的分体，总结出其近体诗具有清幽雅淡的美学特质。另外文章最后从生平经历和前人影响两方面探究了孟浩然清幽雅淡美学特质的原因。更多还原

【Abstract】 Meng Haoran is one of the Six Dynasty, as the representative of the landscape and pastoral poetry, his poetry in China occupies an important position in the history. In his poems, has traditionally been studied very many, and the achievement is outstanding. This article is based on the works of Meng Haoran from the poetry text, the basic construction elements of image to start, through to the combination of image analysis, on the Meng Haoran body near the poems comprehensive and systematic analysis and research, aims to further in-depth study of Meng Haoran modern looking for a unique and important breakthrough.The full text consists of four parts. The chapters on the image development has made the brief comb, pointed out that Meng Haoran of Chinese image research and writing on the origin, significance of the topic and the research status quo of to do a general introduction.The first chapter mainly probing into Meng Haoran modern-style poetry image types and characteristics, from the content category perspective on Meng Haoran near body poetry like system statistics and classification, and expounds the types and characteristics of poetic image.The second chapter from the Meng Haoran of Chinese mode of combination of image, Meng Haoran of Chinese characteristic analysis.The third chapter mainly discusses Meng Haoran modern aesthetic characteristics, from the aesthetic perspective on Meng Haoran’s recent image analysis, which summed up the images in his poetry shows the aesthetic characteristics of light.更多还原