【作者】 杨波；

【导师】 陆军；

【作者基本信息】 景德镇陶瓷学院 ， 美术学， 2012， 硕士

【摘要】 本文以明末景德镇民间青花山水的审美特征为研究对象，从题材美、工艺美、形式美和意境美等角度展开明末景德镇青花山水审美特征的研究。在研究中从古典山水画论和清华创作实践相结合以及田野考察的方法，解决青花山水较少审美视角切入的问题，从而为现代青花山水的创作形成启示。本文认为，明朝末期的天启、崇祯二朝，虽社会动荡、官窑衰败，景德镇出产的民间青花却欣欣向荣，并且一改前朝对官窑青花的跟踪与模仿，形成了纯真质朴、率意洒脱、浓郁生活气息的品格。从而创造出即不同于官窑青花，又迥异于国画山水的独特风格，本文在此基础上，归纳为写意画风和质朴情感两个方面来概括明末景德镇民间青花山水的审美特征，并从题材、工艺、形式和意境的角度加以论证。更多还原

【Abstract】 Taking the Jingdezhen folk blue and white landscape aesthetic characteristics as theresearch object, from the subject and beauty, craft beautiful, form beauty and the beautyof artistic conception and perspective of the research on the aesthetic characteristics ofJingdezhen blue and white landscape. In a study from classical landscape paintingcreation practice and Tsinghua combination as well as field investigation method, tosolve the blue and white landscape less aesthetic perspective problems, so as to modernblue and white landscape creation form enlightenment. The article thinks, the late MingDynasty, apocalypse, Chong Zhen in two, although the decline of social unrest, Guan,Jingdezhen produced the folk blue and white was thriving, and changed the former toGuan Blue Track and imitation, forming a pure, clear, rich life breath rate Italiancharacter. Thus created is different from the kiln blue and white, and is quite differentfrom the Chinese landscape painting style, on this basis, summarized as freehandbrushwork and simple emotion to summarize two aspects of Ming Dynasty blue andwhite landscape of the aesthetic characteristics of Jingdezhen folk, and from the theme,form and artistic conception, process perspective to prove.更多还原