【作者】 任长春；

【导师】 赵开坤；

【作者基本信息】 吉林大学 ， 美术学， 2012， 硕士

【摘要】 中国具有悠久的文化传统，博大精深，同时也具有极强的同化性与融合性。在油画传入中国的几百年间，从最初的完全照搬到具有独立艺术风格，这种发展变化，中国传统文化扮演了非常重要的角色。特别是近代的油画具有长足的发展，更多的表现出对意境的追求，体现出强烈的民族风格。在中国传统绘画中，对意境的要求始终作为第一性的，这样的文化传统中成长起来的中国油画就发展为具有写意性的绘画方式。文章首先介绍了油画在西方的变化发展，从古典主意为主的写实风格向对注重内心情感的表达的变化，这正是与中国画的写意性相近。特别是当代的许多油画家更是把写意性作为第一要求。正是在这种背景下，许多画家在油画表现的意境上不断探索，开创了具有中国传统文化特征的风景油画。文章继而在西方的写意主张的基础上阐述了中国绘画传统的写意精神。更具体的说明对意境的传达才是绘画的主旨。文章在中西的绘画对比的过程中提出了第三部分，也是本论文的中心，集中阐述意境在绘画中的传达。在这章中分三个部分来阐述写生的过程中意境的表现。首先是阐述的是对自然真实的感受与表达，其次是从自然真实向艺术真实的转化，最后是达成写生的最高要求—意境美。中国写意性油画的发展，得益于中国传统绘画理念。通过对中国传统绘画理念的理解，把中国画家所萦绕的情节和对意境美的追求融合到他们的油画风景之中，使得当代中国油画民族化进程向前迈进了一大步。要想把中国的意象风景油画进一步发展，一定要系统的研究中国画，才能再此中国传统绘画理念的基础上把握意象风景油画的脉络，并再西方近代风景油画的创作中寻找适合中国意象风景油画创作的元素，扬长避短同时借鉴西画的观察方法和表达方式，这样才能更好的把握中国意象风景油画，而不是传统意义上对西方油画的照搬，或猎奇，只有这样，才能让中国油画更进一步向前发展。老一辈的画家林风眠、刘海粟、吴冠中等对具有中国传统文化的写意性油画进行了探索，把本民族的传统文化融进风景油画的创作中，充分体现了中国风景油画的潜力。在当代又有赵开坤、洪凌、任传文等画家赋予了中国油画时代的气息。更多还原

【Abstract】 China has a long cultural tradition, profound, and also has astrong assimilation and integration. Independent art style paintingwas introduced to China a few centuries of copying from theoriginal to this development and changes in traditional Chineseculture plays a very important role. In particular, modern paintinghas developed by leaps and bounds, more performance out of thepursuit of artistic conception, reflecting the strong national style.Mood requirements has always been in traditional Chinesepainting, Chinese painting as the primary, this cultural tradition hasgrown up on the development of Freehand painting.The article first describes the change and development of oilpainting in the West, mainly from the classical idea of the realisticstyle similar to the changes focus on the expression of innerfeelings, which is what Chinese painting freehand. In particular,contemporary oil painter has even more impressionistic as the firstrequirement. It is in this context, many artists on the mood of thepainting performance to continuously explore, and create alandscape painting with the characteristics of traditional Chinese culture.The article then described in the the Western freehand claimson the basis of traditional Chinese painting and the Spirit. Morespecific communication of mood is the thrust of the painting.Articles in Chinese and Western paintings contrast the processof the third part of the center of this paper focuses convey the moodin the painting. Described the mood in the process of sketching theperformance of the three parts of this chapter carve. The first is todescribe the true nature of feeling and expression, followed fromthe natural and true to the real art of transformation, and finallyreached sketching the highest requirements-beauty of artisticconception.The development of the Chinese freehand painting, thanks tothe traditional Chinese painting concept. Understanding of theconcept of traditional Chinese painting, Chinese painter of thelingering plot and the pursuit of artistic conception beautyintegrated into the painting scenery, making the contemporaryChinese oil painting a big step forward in the process.The image of landscape painting in China in order to furtherdevelopment, must be systematic study of Chinese painting, beforethe concept of traditional Chinese painting based on the grasp ofthe context of the image landscape painting, and then searching for the creation of the modern Western landscape painting imagelandscape painting creative elements, weaknesses while drawingon the observation of Western painting methods and forms ofexpression, so in order to better grasp the image landscapepainting, rather than in the traditional sense of Western oil paintingcopy, or novelty, the only way to make Chinese painting further tothe before development. Painters of the older generation of Lin, LiuHai-su, Wu Guanzhong, freehand painting of traditional Chineseculture to explore the creation of the nation’s traditional culture meltinto landscape painting, fully reflects the potential of the Chineselandscape painting. In the contemporary the there Zhaokai Kun,Hong Ling, Ren Zhuanwen painter gives the flavor of the times ofChinese painting.更多还原