【作者】 王旭；

【导师】 陈国红；

【作者基本信息】 东北师范大学 ， 音乐学， 2011， 硕士

【摘要】 钢琴演奏技巧在钢琴演奏中占了很大的比重,而手指、手腕、手臂之间的配合贯穿于整个钢琴演奏。很多学生在学习钢琴的过程中,练习了很多钢琴技巧练习,但是应用到钢琴作品中的时候,却不知所措。在本文中,我对于钢琴演奏时手指、手腕、手臂之间的配合并没有发明创造出新的方式方法,我们也并不需要更现代化的手法,我们需要的只不过是把以前的旧的规律化的东西在作品中灵活运用,让学生们知道什么情况下,手指、手腕、手臂应该如何配合。拉赫玛尼诺夫《科莱里主题变奏曲》OP.42从技术上来看并不是非常难,但是每个变奏从和声织体上、节奏类型、音乐表情等方面都是变化多端的。因此我们就通过这部作品来探讨一下钢琴演奏中手指触键与手腕手臂的配合。更多还原

【Abstract】 Skills which based on the coordination among the fingers, wrists and arms, in piano performance, accounted for a large proportion during the period. Numerous students in the process of learning the piano with practicing abundant techniques of piano, but It was at a loss by applied to the applications.In this paper, it is not a discussion on innovation aspect nor modern approach about coordination among the fingers, wrists and arms. The perspective keeps straight to focus on flexibility of traditional operations in classical through which students could learn the collaboration under the circumstances.Rachmaninoff’s "Variations on a Theme Section column in the" OP.42 does not state difficulty from technical view, but each variation on the texture from the harmony, rhythm type, music, etc. are a great variety of expression. So, it is going through this episode to explore the fashion that how piano keys linked with the finger, wrists and arms.更多还原