【作者】 张华；

【导师】 吕若涵；

【作者基本信息】 福建师范大学 ， 中国现当代文学， 2010， 硕士

【摘要】 民俗,是五四的一个关键词。周作人是最早开始关注民俗的中国现代知识分子之一,他不仅是中国现代民俗学的先驱者,而且将民俗作为表现题材纳入了散文创作,推动了中国现代散文的发展。论文首先阐述了五四时期中国现代知识分子推崇民间的整体倾向,呈现民俗受到中国现代知识分子普遍关注的文化背景,继而着重论述周作人对民俗的关注以及其民俗文化观的形成、转变过程中受到的外国民俗学家及其理论的影响；第二部分从中国传统儒道文化中的雅俗观出发,结合周作人相关的理论文章梳理周作人所理解的“雅”与“俗”的内涵,试图从美学角度分析周作人民俗散文中的审美追求；第三部分论述“美文”和“抄书体”作为周作人民俗散文创作的两种文体形式分别具有重审美与重思想的倾向,并通过具体的文本分析从雅俗角度考察这两种文体在美学上的得失。更多还原

【Abstract】 Folk-customs was a key word in May 4th. Zhou Zuoren was one of the intellectuals who first began to pay attention to folk-customs. He was the pioneer of modern folklore, moreover, he used the folk-customs as the subjects of proses, which contributed to the development of modern Chinese proses. This paper firstly states the general tendency in intellectuals’ esteeming to folk-customs in May 4th, to present the cultural background where folk-customs were given general attention by intellectuals, then the paper emphasizes on Zhou’s attention on folk-customs and the influences of foreign experts on folklore and their theories in the formation and the transition of Zhou’s folk-customs view; starting from the elegant vulgar view of Chinese traditional Confucian culture and combining it with Zhou’s relevant theory papers, the second part of the paper goes through Zhou’s understanding of the connotation of elegant and vulgar and tries to analyse the aesthetic pursuit in Zhou’s folk essays; the third part of the paper discusses the tendency of "belles-lettres" and "book-copying style", the two styles of Zhou’s folk essays, in weighing aesthetics and thought, and analyses through the specific texts the gain and loss in aesthetics of these two styles.更多还原