透过阿苏切娜领路《游吟诗人》的戏剧性魅力

【作者】 袁冰；

【导师】 卢康娥；

【作者基本信息】 陕西师范大学 ， 音乐学， 2010， 硕士

【摘要】 歌剧,顾名思义,就是以歌唱为主体的戏剧。歌剧是一种综合性艺术,是音乐与戏剧的结合,并且音乐和戏剧也总是相辅相成的。戏剧性,是戏剧艺术审美特性的集中表现,是戏剧之所以为戏剧的那些基本因素的总和。自从有了戏剧,就有了“戏剧性”这一问题。歌剧是以歌唱为主体的戏剧,所以歌剧的戏剧性主要是通过剧情和音乐的戏剧性塑造来体现的。《游吟诗人》、《茶花女》、《阿依达》被评论界推崇为威尔第的四大名作。《游吟诗人》作为四大名作之一一定有着他独特的魅力,而阿苏切娜是体现这部歌剧戏剧性的一个亮点与焦点人物。通过对于她的戏剧性塑造我们能更好的领略这部歌剧的戏剧性魅力。引言：这一部分阐述了本文的研究目的与意义,主要的研究内容、本文的研究思路、方法及创新之处。本文从“戏剧性”这一概念入手,了解“戏剧性”的界定与内涵,进一步引申到歌剧的戏剧性体现。再通过对阿苏切娜戏剧性的分析看这部歌剧的魅力。正文的第一部分：关于“戏剧”与“戏剧性”的探讨。简述了“戏剧性”的界定与内涵。可以说“戏剧性”主要体现为文学构成中的戏剧性与舞台呈现中的戏剧性的结合。第二部分：关于《游吟诗人》创作的的时代背景、由于威尔第在创作这部歌剧时个人的情感经历而赋予它的情感特征,以及《游吟诗人》的剧情简介。第三部分：对阿苏切娜戏剧性魅力的分析。从阿苏切娜的文学上的戏剧性,音乐上的戏剧性以及演唱与表演的戏剧性魅力来把握。第四部分,通过对阿苏切娜戏剧性的分析进一步分析这部歌剧具有的戏剧性魅力。更多还原

【Abstract】 Opera, by definition, is to singing as the main theater. Opera is a comprehensive art, the combination of music and drama, and music and drama is always complementary. Dramatic, dramatic art is the concentrated expression of the aesthetic properties, is the reason for the theatrical drama of those basic elements combined. Ever since the drama, there will be a "dramatic" this problem. Opera is singing as the main body of the theater, so dramatic opera mainly through the story and music to be embodied in a dramatic shape. "Troubadour," "La Traviata", "Aida" was the critics praised as Verdi’s four masterpieces."Troubadour" as one of the four masterpieces will have his unique charm, but this opera Asuqienuo embodies a bright spot in a dramatic and focus. Through the dramatic shape to her that we can better appreciate the charm of this dramatic opera. Introduction:This section describes the purpose and significance of this research, the main research contents of this research ideas, methods and innovations. This article from the "dramatic" the concept of starting to understand the "dramatic" the definition and connotation, and further extended to the opera’s dramatic expression. And through the analysis of Asuqienuo see this dramatic opera charm.The first part of the body:It is for the "drama" and "dramatic" explored. Briefly described a "dramatic" the definition and connotation. It can be said a "dramatic" mainly reflected in the composition of the dramatic literature, and stage show of the dramatic combination.Part II:This section is mainly on "Troubadour," the era of creativity in creating this background and Verdi’s opera, when the emotional experience of individuals. And "Troubadour" of the plot profile.Part III:This section is mainly meant to Esuqiena dramatic charm analysis. From the literature on the Asuqiena dramatic, musical and dramatic performances, concerts and dramatic charm to take hold.The fourth part, by the analysis of Asuqienuo dramatic opera with a further analysis of this dramatic charm.更多还原