节点文献
浅谈中国重彩山水画的色彩之变迁历程
【作者】 李丽；
【导师】 茅林；
【作者基本信息】 曲阜师范大学 ， 美术学， 2010， 硕士
【摘要】 在绘画作品中对色彩的表现渊源已久,其艺术特点与精神内涵也随着时代的变迁而变化,到隋唐时期得到了极大的发展,其间也经历了鼎盛、衰微、复苏的过程。本论文将从山水绘画作品中的色彩表现这一新的视角着手,把绘画作品中色彩的表现形式和精神内涵与当时所处的时代背景、理论思想观念相结合进行考察,目的在于对山水画色彩发展历程和在现代绘画色彩方面的发展前景做一更全面的研究。本论文首先从山水画史的角度对绘画作品中的色彩表现进行了梳理,通过对传统、现代重彩山水画和代表性画家的分期论述、作品解读和色彩艺术特点分析,一方面了解他们的艺术主张,挖掘他们的思想渊源,进而探寻重彩山水创作从传统向现代的转型趋势,使不同时期的色彩问题的来龙去脉清晰的显现出来。另一方面了解其色彩在所处时代的历史状况,阐述色彩这一题材在绘画作品中的重要作用,以确立本文的研究方向和选题意义。讨论和研究时代背景、历史、文化观念等因素对色彩观念形成的影响,及其分析传统型画家们在时代中的思考和努力,揭示现代画家绘画题材与其艺术成就和政治观念的关系,呼吁社会对传统型画家给予中肯的评价和公正的历史定位的同时,揭示重彩山水创作对于现代社会的积极意义,以其唤起社会和研究者们对现代重彩山水画创作的重视和研究。任何一个时代的绘画作品,都充满着画家们对思想和审美观念的表达,虽然也历经了坎坷和辉煌的时期,但在绘画作品中,色彩一直占有着重要的地位和影响。本论文在最后部分也从色彩的这一新视角,将前面所围绕的传统和现代两条线索进行综合整理,围绕时代精神、社会环境、现代意义等因素对中国重彩山水画色彩的变迁做一下概括,阐述了对现代绘画色彩的重新审视,对山水画色彩发展的研究空间做了说明和展望。
【Abstract】 It has been a long time since there were embodiment of colors in drawing, whose art features and spiritual core also go changing with the time, reaching the developing peak in Suitang dynasty while went through a course of peak, feeble and revival. This thesis embarks on the new angle of color embodiment in landscape painting, combining the color manifestation as well as spiritual meaning with the historical background and time concept to study together, aiming at a more comprehensive research in the color development of landscape painting and the perspective of modern painting colors.This thesis firstly tidies up the color embodiment in drawing from landscape history angle, through doing staging discourse, works analyse and color feature research of traditional and modern heavy color landscape and typical painter. On one hand, to know their art stand and thinking roots, what follow next to search the casting from traditional heavy color landscape to modern ones, appearing clearly the sequence of colors in different times; On another hand, to know the historical situation that the color existed and expound the important part that color play in drawing, making the research direction and topic meaning of this thesis. Through researching the influence the times background, history and cultural standpoint made to the forming of color concept, and researching the traditional painters’efforts done in different times, to show the relationship between modern painting topic and its art achievement and political ideas. At the same time of appealing the society to have proper evaluation and historical position of traditional painters, showing heavy color creation’s active meaning to modern society, by which evoke the society and researchers’attention to modern heavy color creation.The expression of thinking and aesthetics by painters is flooded in whatever time’s works. Although going through peak and weak, colors still play an important part in paintings. This thesis also has an total arrangement that centres on two lines of traditional and modern times from the color aspect, and sums up the changes taken in Chinese heavy color painting about times spirit, social surrounding and modern meaning and so on, showing the great attention paid to modern painting colors and taking outlook of the perspective of landscape color.