【作者】 李志刚；

【导师】 孙骥；

【作者基本信息】 河北师范大学 ， 美术学， 2009， 硕士

【摘要】 中国美术史上,以文同、苏轼、赵孟頫、吴昌硕等为代表的湖州历代文人画家群体,其“以书入画”的理念与实践,形成了中国画以抒发主观情感为主旨,诗、书、画、印同构为艺术特征的新格局,对中国画的美学追求和发展取向产生了深远的影响。研究和梳理这一中国美术史上重要的文化现象,剖析其文化渊源、发展轨迹及成因,以期为当代中国画的创新与发展提供参照。更多还原

【Abstract】 In the history of Chineses fine art the group of artists centred around Wen Tong, Su Shi, Zhao Mengfu, Wu Changshuo and the like in the region of Huzhou came to form a new kind of art pattern which aimed to convey emotions through the integration of poetry, calligraphy, painting and seal engraving in their art ideal and practice and made a far-reaching impact on the aesthetic pursuit and development of Chinese painting. A study of the source, development and the cause of this important cultural tradition in the Chinese painting history is greatly valuable for the innovation of the modern Chinese painting.更多还原