【作者】 王欣；

【导师】 林曰惠；

【作者基本信息】 辽宁师范大学 ， 美术学， 2009， 硕士

【摘要】 油画,作为一个西方画种,它的根不在中国,可以说是一个舶来品,在中国要怎样发展,如何发展是近年来中国艺术家一直思考的问题。有人可能会赞成“拿来主义”,只要把西方油画的技法和风格搬过来,就能创作出好作品了,这种想法曾经存在一段时期。基本的技法和风格固然重要,但这些只是油画的初级阶段,并不是中国油画发展的最终目标;另外西方油画曾经依存的精神氛围现已失去,那种特定环境下产生的艺术情感要在中国本土复制是根本不可能的,而要把西方的人文精神克隆进中国油画家的灵魂深处,也是不可能的。先进文化不是外来文化的简单重复,也不是古代文化的直接承传,先进文化是面向未来的与先进科学和人文精神相融合的、创造性的进步文化。中国是一个文化大国,文化源远流长,历史悠久,艺术发展也取得了一定的成果。这里有五千年文化传统,有波澜壮阔的社会生活。在中国这块文化的土地上,有肥沃的土壤,丰富的养料,油画的发展存在很多有利的条件,近年来,中国也出现了一批杰出的油画艺术家,他们的风格和想法不一,有的以写实为主,有的想法新颖,有的风格独特。油画既然融合了中西艺术的审美情趣,而又要反映了中国人民精神世界,反映了中国人民的斗争生活和历史,它就不可避免地具有中国的风貌。然而,有时面对这些风格各异的作品,一些油画家和艺术爱好者也提出一些质疑,写实油画真的过时了?是否应该丢弃?怎样发展写意油画?中国油画是否应该有自己独特的理念?作为艺术家,作为一个油画爱好者,作为一个欣赏者,我们不应该偏食,中国油画这道艺术大餐,应该品种齐全,百花齐放。写实油画没有过时;写意油画应该存在;具有新理念的油画也应该研究……。这才是中国油画,才是我们自己的油画,才是我们的特色油画。如果我们的油画和西方油画完全一样,毫无差别,在中国也不会有生命力了。中国艺术家在创作作品时,应该在掌握西方油画技法的基础上,站在巨人的肩膀上,深入地研究中国的政治和文化,明白中国的社会现状,了解百姓疾苦,分析各个阶层的心理,油画只是一种工具和材料,是一个媒介,当我们在画一幅油画时,应该让自己的绘画语言清晰可辨,当我们在画一幅油画时,是用油画来讲中国的故事,是用油画在讲中国文化,是用油画来感染观众,是用油画来表现自己的感受和情绪。只有这样才能真正地做到“西学中用”。本论文就是针对近期的一些艺术现象,一些人的艺术观点,结合中国的艺术特点和文化优势来论述中国油画的风格问题的,盲目追求单一技法,单一风格,盲目丢弃,片面追求西方油画等等都是不可取的,美的法则不一,所谓万变不离其宗,中国艺术家应该吸取中国文化土壤的营养,结合自身的特点来发展自己的油画,创造出自己的语言,挖掘出自己的风格,创造出自己的艺术。更多还原

【Abstract】 The oil painting, Western painting as a species, it is not the root of Chinese, it can be said is an import, at how the Chinese want to develop, how to develop in recent years, Chinese artists had been thought. It may be in favor of "use doctrine", as long as Western oil painting techniques and styles to move around, you can create a good work, and once such ideas exist for a period of time. Basic technique and style is important, but these are only the initial stage of oil paintings, Chinese oil painting is not the ultimate goal of development. Western oil painting once the spirit of interdependence atmosphere is now lost, that under the specific circumstances of the art of emotional want to copy at the local Chinese is simply impossible, and the humane spirit of the West should be cloned into the Chinese oil painting at home deep in the soul is not possible. Advanced culture, foreign culture rather than duplicate the easy, nor is it a direct ancient culture heritage, advanced culture, are future-oriented and advanced sciences and humanities the spirit of integration, creativity and cultural progress. China is a big cultural country, culture goes back to ancient times, has a long history, the development of the arts must also achieved results. Here are five thousand years of cultural traditions, there is great social life. Chinese culture in this land there is fertile soil, rich in nutrients, the development of painting a lot of favorable conditions exist, this year, China has also emerged a number of outstanding oil painting artists, their styles and different ideas, there is dominated by realism, and some novel ideas, some unique style. Now that oil painting combines Chinese and Western art of aesthetic taste, and reflects the Chinese people’s spiritual world, reflecting the people’s struggle against Chinese life and history, it inevitably has a Chinese style. Sometimes, however, the face of these works of various styles, some oil painter and art lovers also raised a number of questions, realist painting obsolete true? Whether or not should be discarded? How to develop freehand painting? Chinese oil painting, should have its own unique concept of? As an artist, as a painting enthusiast, as an appreciation, we should not be partial eclipse, this Chinese oil painting art feast, it should be full range, letting a hundred flowers bloom. Realism oil painting is not out of date; freehand painting should exist; with new ideas should also examine the painting . This is the Chinese oil painting, oil painting is of our own, is the characteristics of our oil paintings. If the U. S. and Western oil painting oil painting exactly the same, there is no difference, there would not be at the vitality of the Chinese. Chinese artists in the creative works should be in the hands of Western oil painting techniques, based on standing on the shoulders of giants, in-depth study of Chinese politics and culture, Chinese society understand the status quo, people know the weal and woe, from all walks of life analysis of the psychological, oil painting only a tool and materials, is a media, when we draw a painting, the painting should be allowed its own distinct language, when we draw a painting, the Chinese are using oil in terms of story, are used oil painting at Chinese-speaking culture, are used to infect the audience paintings, oil paintings are used to express their own feelings and emotions. Only in this way can really be done "with Western learning. " The thesis is that some of the recent art phenomenon, a number of people the art of opinion, combined with the characteristics of Chinese art and cultural advantages to describe the style of Chinese painting to describe the problem and the blind pursuit of a single technique, a single style, blindly away, one-sided pursuit of Western oil painting and so on are not desirable, the law of the United States differ, the so-called Consistent, Chinese artists should learn from Chinese cultural soil of nutrients, combined with the characteristics of their own to develop their own canvas to create their own language, digging out their own style, create their own art.更多还原