【作者】 朱璇；

【导师】 柳珊；

【作者基本信息】 同济大学 ， 新闻传播学， 2008， 硕士

【摘要】 当代大众文化改变了我们的私人生活空间和社会生活空间,影响着当今的经济、政治、文化和社会形态。在这种背景下发生成长的当代艺术展,折射着当代都市精神生活和大众文化的种种特征。与西方成熟的当代艺术发展状况不同,中国各地双(三)年展才刚刚兴起,不过迅速成为了中国当代都市文化构建中不可缺少的一道风景线,引起大众媒介、政府、资本、研究学者等各方面的广泛关注。本论文选取上海双年展为主要研究对象,在相关历史文献资料整理与归纳的基础上,通过文献分析、文本分析、实地调查、比较研究的人文社会科学研究方法,试图将之放置于大众文化兴起的社会背景下,剖析上海双年展的呈现内容、发生模式和组织形式,并通过与国际相关个案的对比,发现其艺术生产的方式与环境的异同,为未来中国的都市文化实践,特别是上海双年展的继续发展,提供一些有益的探索与思考。更多还原

【Abstract】 Contemporary mass-culture has changed our private and social life, making a great impact on current economic, politics, cultural and social form. The growth of contemporary art exhibition in such context reflects current urban spiritual and various characteristics of mass-culture. Quite different with mature western contemporary art, Biennale (Triennale) in China has just risen, but has rapidly becoming an indispensable landscape in the construction of contemporary urban culture. All walks of society, such as mass media, government, capital and scholars have centered their attention on it.On the basis of relevant historical document analysis, this paper selected Shanghai Biennale as research object. With the method of study in the humanities and social sciences, such as document and text analysis, field investigations and comparative study, this paper tries to put itself under the social background of arisen mass-culture, and then analyze the content, the model and the organizational forms, together in comparison with the related international cases, founding the similarities and differences both in the way of artistic production and the environment. Through such analysis this paper tries to find some meaningful suggestion and thinking for advancing the approach to construct the Chinese urban culture, especially for the development of Shanghai Biennale in the future.更多还原