【作者】 郑波；

【导师】 吴晓；

【作者基本信息】 浙江大学 ， 中国现当代文学， 2011， 硕士

【摘要】 余华是给中国当代文学带来真正变化的少数几个作家之一,他的作品不仅广泛运用了各种现代艺术手法,更具有丰富的思想内涵,突出表现为对人的存在本质的独特理解。本文立足于生命意识是生命价值理念的内核这个基点,从暴力、死亡、亲子三个维度,重点解读余华对人类生存困境的思考,以期在对现实人生反思、批判甚至是怀疑、颠覆的基础上,积极探索作家对人类终极的价值关怀。在暴力维度上,他的作品内敛于作家现实生活的感官刺激,外放于全景式的暴力世界,凝聚于作家对生命价值的思考；死亡作为生命走向终极的一种极端维度,是作家对个体生命、人性自我的诠释注解,在探求“真实”与“形式”中陷入了生命的困境；亲子方式是作家走出困境、实现自我救赎的一种方式,承受生命苦难,延续生命传承,在亲子状态中走向生命的回归。更多还原

【Abstract】 Yu Hua is one of minority writers who can really bring changes to Chinese temporary literature. His works not only apply various modern art skills but also are rich in the thinking connotations, which show his remarkable understanding on the existing nature of human beings. The paper, based on the concept that life sense is the core of life value and from the angles of three dimensions violence、death and parent-child, interprets Yu’s thoughts on the living predicament of mankind and expects to explore on the writer’s ultimate value concern on the human beings on the basis of reflection、criticism even doubt and overthrow on the real life. On the dimension of violence, Yu’s works reserves his real life in the sensory stimulation, exposes it to the full-viewed violent world, and concentrates on the writer’s thoughts on the life value; death as a terminal dimension life walking to the ultimate goal is the interpretation the writer to the individual life and humanity, which results in his falling into the life predicament when exploring the truth and form; parent-child is a kind of way the writer walk out the predicament and realize self redemption. The writer bears the hardship of life, lasts life inheritance by it, and walks to the return of life in the state of parent-child.更多还原