【作者】 陈颖；

【导师】 成松柳；

【作者基本信息】 长沙理工大学 ， 中国古代文学， 2010， 硕士

【摘要】 孙康宜先生(Kang-i Sun Chang)作为海内外知名的美籍华裔女学者,是海外汉学家的杰出代表。她敏锐地感知到西方理论对于文学研究的重大意义,有意识地将西方的理论和方法运用到了中国古典诗词的解析之中,使古典文学研究能够从其他理论体系中获取新鲜血液,发展自身的理论体系,展开中西文化的对话和交流。在晚唐至北宋词研究中,孙康宜先生运用文体研究、结构主义等理论,以文体演变为主导线索、采用文本分析的方法,对不同时代之不同作品的文体特征进行个案分析,从中发现关于历史发展的珍贵见解；在六朝诗歌研究中,孙康宜先生选择了“表现”和“描写”这两个文学因素,用作两个既对立又互补的概念来讨论,并从美学的角度切入,把二者作为检验个别诗人风格的参照点；孙康宜先生还将“面具”美学和性别理论运用于明清诗词研究之中,指出“面具”不过是一种“方便”的手段而已,即借他者之口,表自我之实。她还将女性独特的社会角色和性别含义引入对文本的解读中,透过性别含义的棱镜,重新阐释了古典文学,使西方的性别研究为文学批评提供了崭新的视角。纵观孙康宜先生的中国古典文学研究,她始终将文学研究置于文化的层面上,力图为我们描绘出不同时代、不同作家所呈现出来的各种文学观念与思潮的互相消长、对立、融合的态势,通过个案的具体分析,描述文学的诗性审美情感。孙康宜先生注重从文体和语言的角度把握文学的发展和意义,力求将文体研究、文学语言研究和新的理论观念研究相结合,把中国古典诗词的各种文体与相关文体观念、范畴的发生、演进相结合,揭示出其演变发展的独特意义,探求其对文体发生、演进所产生的实际影响,揭示其与不同历史时期的文化之间千丝万缕的联系,在宽广的视野下把握文体演变的内涵。孙康宜先生还注重文学研究与其他学科、其他知识领域的结合。她将宗教和性别研究有机地融入对古典文学文本的解读中,使其文学研究呈现出立体和多维的特质。孙康宜先生吸收当代中西方文化与文学批评理论的丰厚滋养,但又始终坚持以中国古典诗歌的具体实际作为研究的出发点,在对中西文学作品和文艺理论的不断比照、深刻反思中,通过调和中西、各取所长,形成自己研究古典文学的独具个性的学术观念和研究风格,同时也为我们提供了宝贵的借鉴和启示。更多还原

【Abstract】 As a world-renowned Chinese American female scholar, Kang-i Sun Chang is one of the most prominent representatives of overseas Sinologists. She perceives keenly the significance of western theories towards literature study and applies consciously western theories and methods to the study of Chinese ancient poetry, which contributes more to the development of ancient Chinese literature study and fulfillment of the exchange between Chinese and western cultures.In her study on Ci poetry dated from Late T’ang to Northern Song, Kang-i Sun Chang employs theories of genre study and structuralism, etc, threading her research by the evolution of genre, and analyzes by means of text analysis the genre characteristics of different works in different times, from which finding the precious views about history development. In her study on Six Dynasty poetry, she selects two opposite and complementary literature factors, expression and description, to discuss and regards them from an aesthetic respect as objects of reference, inspecting specific poets’style. Also, Kang-i Sun Chang exploits mask aesthetics and sexual theory into her study on poetry of Ming and Qing Dynasty, indicating that mask is no more than a convenient measure, that is, a tool to express one’s real feeling with other people’s mouth. She puts unique social role and sex implication of femininity into the analysis of text, and reinterprets the ancient Chinese Literature from sex respect and at the same time provides a new angle of view for literature criticism.After making a general survey of Kang-I Sun Chang’s study of ancient Chinese literature, we can see clearly that she puts literature study on the level of culture all along, trying to depict the vicissitudes, opposition and fusing situation of different culture ideas and trends of thought presented by different writers in different times, and describe the aesthetic feelings of poetic literature by analyzing the individual cases. Kang-I Sun Chang is inclined to grasp the development and significance of literature from the angles of genre and language, and aims at the combination of the studies of genre, literature language and new theoretical concepts, and the combination of different genres of Chinese classical poetry and the occurrence and evolution of relevant genre ideas, trying to reveal the unique meaning of Chinese classical poetry’s evolution and development, its actual influence on the occurrence and evolution of the genre and its countless ties with cultures of different times, and grasp the connotation of genre’s evolution in a broad view. Kang-I Sun Chang also lays stress on the combination of literature study and other subjects and knowledge. She puts religious and sexual study into the interpreting of the classical literature texts, which makes her literature study present a special quality. Kang-I Sun Chang assimilates rich nutriment of the contemporary Sino-western culture and criticism theories of literature. Meanwhile she adheres all along to regarding the specific fact of Chinese classical poetry as the starting point of her study. Her unique academic concepts and study style of classical literature study takes shape in her continuous contrasting between Chinese and western literature works and art theories, all of which provides precious reference and inspirations for us.更多还原