【作者】 张莉；

【导师】 朱万曙；

【作者基本信息】 安徽大学 ， 戏剧戏曲学， 2010， 硕士

【摘要】 苏轼题材戏曲作品是元明文人剧的一种题材形式,本文在把握元明文人创作的苏轼题材戏曲作品的基础上,从宏观的角度切入选题,分为四章对苏轼造型进行考察研究。引言关于元明戏曲中苏轼题材作品的综述。这部分在掌握了大量资料的基础上,对前人的研究进行梳理,提出元明苏轼题材戏曲作品中苏轼造型的研究价值。第一章是关于元明苏轼题材戏曲作品的概述。本章从苏轼题材戏曲作品的概念入手,重新定义苏轼题材作品。在正本清源,弄清概念的基础上,对苏轼题材作品进行了整理、分类,通过列表的方式直观地展现。第二章是对元明苏轼题材戏曲作品中苏轼造型的解析。分析得出元杂剧中落魄潦倒、风流疏狂、休闲隐逸以及明剧中真情真性、洒脱旷达、忠正耿直的形象特征。第三章是将元明苏轼题材戏曲作品中的苏轼形象与苏轼本人以及其他文学作品——以《三言》为个案中的苏轼形象进行对比,以期能更准确把握元明苏轼题材戏曲作品中的苏轼形象。第四章是论述元明戏曲中苏轼造型的成因及其文化内涵。在第二、三章对苏轼形象具体分析的基础上,找出其背后包括的社会文化背景,以及折射出的文人心态,进一步阐述所蕴含丰富的文化内涵。综上所述,在对元明苏轼题材戏曲作品苏轼造型研究及已有研究成果研读的基础上,得出两点自己的看法：一、在对元明苏轼题材戏曲作品详细耙梳的基础上,分析苏轼造型,总结得出元明两代分别以其落魄潦倒、风流疏狂、休闲隐逸以及真情真性、洒脱旷达、忠正耿直等形象特点出现。二、苏轼除了作品被人接受外,本人也被后代传奇化,为后世文人们所接受,所以本文选取此方向为创新突破口。对于元明苏轼题材戏曲作品中的苏轼造型问题进行研究,前人更多针对其中某一时期形象的研究,而本文考察元明戏曲中苏轼造型的异同,总结元明两代作者创作所体现的不同心态和文化内涵。更多还原

【Abstract】 Sushi opera is a special china ancient opera, This thesis is based on the Sushi opera in the Yuan and Ming Dynasty, approaches the subject from a macro perspective. The thesis is divided into five chapters which study the Sushi images of Yuan and Ming Dynasty.The first part is the introduction of the summary about the study of Sushi opera of Yuan and Ming Dynasty. It is on the basis of mastering a great deal of information and it is the finishing of the previous studies, Proposes the significance of studies in the Sushi opera of Yuan and Ming Dynasty.The second part is the arrangement of Sushi opera of Yuan and Ming Dynasty. Approaches from the concept of Sushi opera. And redefines and Re—identifies the concept and category of them on the basis of previous research. The thesis in this chapter outlines Sushi opera work, were finishing. Intuitive way through the list to show Sushi opera and introduce the life of Sushi.The third part is analysis of the images of Sushi in the Sushi opera of Yuan and Ming Dynasty. Focus on those kinds of Sushi, as down and out, merry unrestrained, leisure hermit; truth, free and unrestrained, upright honest.The fourth part is in the contrast the Sushi opera of Yuan and Ming Dynasty with Sushi himself and other literary works—the unique Sushi image of "san yan". With the view to more accurate grasp of the images of Sushi in the Sushi opera of Yuan and Ming Dynasty.The fifth part is on the derivative Sushi image in the Yuan and Ming Dynasty of background, on the basis of a detail of the second and third chapters of Sushi image, expatiates the rich cultural prosperity behind on their implication.Above all, Research on the Sushi opera of Yuan and Ming Dynasty and on the basis of afvn results, and out my opinions:1. On the basis of collect Sushi opera of Yuan and Ming Dynasty, anysis Sushi image, such as down and out, merry unrestrained, leisure hermit; truth, free and unrestrained, upright honest.2. Except Sushi’s work is acceptable, himself is romanticize and accepted by people. So this article summarizes the direction of innovation. Research on the Sushi image of yuan and ming dynasty. The former are almost for one to two aspects of research, and this article anysis the difference of Sushi image, summary the authors’s creation of Yuan and Ming Dynasty and reflect different attitudes and cultural connotations.更多还原