【作者】 杨倩；

【导师】 朱立珊；

【作者基本信息】 北京林业大学 ， 机械设计及理论， 2010， 硕士

【摘要】 在家具发展的世界历史中,中国明式家具曾有过灿烂的辉煌。然而时至今日,在家具真正走上流行舞台的设计繁荣时代,中国却看不见具有鲜明民族风格的现代家具乃至其他设计产品,这可以算是工业设计中国风格不足的充分反映。相对中国风格的流失,欧洲的家具大师们却源源不绝相继创造出具有自己民族特色风格的产品,引领起一阵阵欧洲家具的风潮。而中国的家具制造者盲目跟随,粗制滥造地生产出一大批模仿现代欧式家具的次等产品,让这些没有自己民族内涵的家具充斥着百姓的家庭。设计师们一直也在思考,在寻找究竟什么才是真正的中国风格,对于当今的实际设计环境和社会文化而言,什么才是既能让广大受众喜爱,而又充分体现中国风格的家具设计。该文从对明式家具的基本概念分析入手,结合现代设计的相关理论,对比分析了明式家具和现代设计的相互影响的关系。然后结合作者亲自去北京硬木家具生产厂家的实地考察,了解其生产概况,分析总结了明式家具中的现代设计元素。望对从事产品设计的设计者们提供理论上的帮助。更多还原

【Abstract】 The development of world history in the furniture, the Chinese Ming furniture had been brilliant glory. But now, onto the popular stage in the furniture design of the real boom times, the Chinese can not see a distinct national style of modern furniture design as well as other products, which can be regarded as inadequate industrial design reflects the Chinese style.The relative loss of Chinese style, European furniture masters are endless succession to create style with its own national characteristics of products, leading the wave from the waves of European furniture. China’s furniture makers blindly follow or crude to produce a large number of modern European furniture of inferior imitation products, so they do not own ethnic connotation of furniture filled with people, families. Designers have also thought, in looking for what is true Chinese style, the actual design for today’s environmental and socio-cultural terms, what is not only the broad audience favorite, but fully reflect the style of furniture design in China.The article from the basic concept of Ming furniture analysis, combining modern design theories, comparative analysis of the Ming-style furniture and modern design of the interactive relationship. Then combined with personally went to Beijing hardwood furniture manufacturers, site visits, to understand their production profile, analyze and summarize the Ming-style furniture in modern design elements. Hope the designers engaged in design to provide theoretical assistance.更多还原