【作者】 张海波；

【导师】 王学谦；

【作者基本信息】 吉林大学 ， 中国现当代文学， 2009， 硕士

【摘要】 在中国现代文学史上,钱钟书和张爱玲都是占有重要地位的“大家”,更是新时期以来让读者惊喜的颇具“热度”的“古董”作家。美国学者夏志清在他的《中国现代小说史》中,引以为荣的一件事便是发现了钱钟书与张爱玲,并分别立专章对他们大加推崇,给予了很高的评价。他们一个才子、一个才女,在四十年代的上海,烽烟四起的乱世之中,开始他们短暂而辉煌的创作生涯。创作主体及创作背景的诸多相似,以及他们作品中几经沉浮的历史命运使他们二人的创作具有了某种可供研究思索的内在共性,因此,对这样颇具个性魅力的两位才子型的作家进行比较式的研究和探讨,并以此引发对文学创作中的一些问题——诸如作家与作品、个人与时代、文学与政治等的探究和反思,无疑具有一定的意义和价值。全文共四部分:前言、正文两章以及结论。前言简述本文主旨所在;第一章对钱钟书、张爱玲小说中的四种婚恋模式进行文本上的横向比较,藉以介入他们创作的文本世界,并领会其作品意蕴的曼妙所在,把握作家对生活的观察视角,达到对作品的感性认识目的,进而以此作为深入研究的楔入点;第二章通过男女之情的探究、反英雄主义的求索、苍凉的悲剧意识、忧患的殖民批判、民族化与现代化的吸收借鉴这四个方面,对钱钟书、张爱玲小说中的审美追求与价值取向进行不同角度的透析和深层次的把握,这是本文的重点;结论部分对整个文本进行简单的归纳总结。更多还原

【Abstract】 History twentieth century has been heavily concentrated into a memory, engraved in every storm came from the conscience of the rich people’s hearts. For people, this century long-distance above thesweat, tears and blood. It was a disaster for the suffering and the path of moisture, it is a humiliation and trauma memory paved road.Looking back at history, there is still a not the sad and dreary. Literature must be marked with the stigma of the times, the twentieth century Chinese literature is also related to the history of the twentieth century together with the Chinese Health. Twentieth century literary history of the twentieth century can not shake off its shackles and influence. However, after all, is no substitute for the history of literature, literature has its own areas and mission. Literature of the twentieth century to rethink the history of the issue left for us.We look forward to years of hardship placed in the context of the literature on divestitures and other literature belonging to the fetters of their own thinking. Such thinking does not mean that absolute purity, it is looking forward to literature and its background and development of germinal material closely. We hope that such thinking is a panoramic view through the description of the literature reflects the pursuit of this century all the richness."The formation of modern culture, is itself a choice, no cover-up and process. If you can sort out this process clearly, the trend will be those who have been pushing to open society, the history of those who are not the dominant surface cover inventory of the things one by one understand that we do not get rich from Enlightenment thinking it?... ... Who has been thinking of is not a shelter, but they, after all, modern history in China to survive, and those who have may be something we have inherited. With the ancient text and the thinking of the West than they are obviously more intimate with our "mid 27, This is perhaps the researchers in various fields of the same.Buried in the sand as the gold shining in the sun will always shine like it, like a lot of literary history have been left out in the cold, now re-been found and the fate of popular works, Zhongshu, Zhang Ailing’s novel in the San to do over the haze of history, the show its original splendor, showing the charm of its attractive and won a new reader to obtain a new praise and evaluation. As researchers, we can not ignore the fact. However, the reason overkill to us to maintain a clear rational and fair, to return to things themselves - may make us more valuable to be a more objective conclusion.Twentieth century, three to four decades, generations of China is a turbulent time of social unrest. Has been the collapse of the feudal system, the traditional super-stable structure their homes by the Spanish by the unprecedented impact of modern civilization, the Chinese people living Wada clan rapidly declining production and the disintegration. People in two cultures (feudal culture and modern culture) began to attack the difficult reverse two-way movement, no longer relying on the soul, always in the fatigue of travel. Both internal and external problems, thefailure, heart full of lost people with a sense of loss, it seems do not see any way out with a promising future. The split resulted in the political pattern of the scattered literature center, the weakening of political influence (from an overall point of view), it is impossible to have a deputy, and constraints to the country’s literary creators unified literary theory and literary trends, and writers to explore the an increase of accounts, literature and history in certain conditions to return to their own literature and to explore the emergence of regional styles and personalized. Yan, Chongqing, Hong Kong, Shanghai and several other literary centers of the formation so that the forties literature showing a tendency to diversify. Exposed, ironically, to reflect on four decades as a district on behalf of the National Unification keynote literature. "Hulan River", "four generations", "Cold Night", "open garden", "corrosion" and other important works are written in this period. Enemy-occupied area during this period due to the colonial culture of Shanghai has its unique characteristics, the political environment as a result of false imprisonment, and many writers to avoid the reality of a major theme, or to express anger T Code, or the talent to go pure art. Zhongshu, Zhang Ailing’s major works are born in this period, and achieved a high artistic achievements.Has always been concerned with the fate of the nation, contains a strong sense of social, national sense of responsibility compared to the mainstream literature, Zhongshu, Zhang Ailing’s writing is at the brink of literary non-mainstream status. However, the size of the value of writers, works of high and low achievement, does not depend on whether or not a particular writer’s literary thought, and literature, he does not depend on the degree of kinship to distance mainstream. However, the formation of the mainstream from readers is always the possibility of accepting the premise of literary interest in the Center do not keep pace with the social psychology of the relationship, there is no potential wide-ranging implications. This is what they may have disadvantaged the reasons for the work. The heat addition to the new era of acceptance of the novel out to explore, I am afraid more is because of differences in the times leading to the aesthetic standards of taste and appreciation of difference.Shanghai, Hong Kong is a semi-colonial semi-feudal society of modern China to the abnormal presence of the colonial city of prosperity, and is familiar with the lives of foreign Zhongshu Cold and Zhang Ai-ling with sharp writing and the entire modern civilization, modern life and to reflect on the overall aesthetic reflection, love and marriage as a reflection of their human perspective wedging point, in their works, not a love story of love, the implicit put forward to the complexity of human nature, life and the vicissitudes of life, helplessness, and the ideological intentions and critical Aesthetic point to the direction of the whole of human existence - in human history, human culture, as well as the basic root, so in the basis of modern civilization and modern sense of the height and again makes a number of ancient and ordinary human problems, that is, human nature, human value and meaning of existence, the way people and so on. These are indicative of the profound and Zhang Qian Zhongshu located. Of the deep cultivation of Chinese and Western literature, making the two of them better off creations. Of language innovation and ability to more easily control the display of their talent and opened Superman pressing the talent. Psychological Analysis of mellow ease of use clearly have gone beyond the three years represented a new artistic realm of feeling, metaphor, synaesthesia, the use of such means as a symbol, image management, so that the two of them works of art to achieve a high level.This article is not exhaustive of the full sense of the comparative study of only focusing on the text, the aesthetic orientation of the main creative, artistic pursuit, such as aspects of a more common type of comparison, so that readers can grasp the Zhongshu areas and, in Zhang Ailing’s work unique artistic charm and deep implication is all, and can rise to the thinking on many issues. Of course, the two of them still exist in the creation of many different, and space is limited point of view, this article only, regardless of care. Zhongshu, Zhang Ailing create the background of the times so that they retain more of the artistic personality, history, the opportunity to make their colorful creations quite caught up with the last departureSince then, they (including the same period Some writers, such as the Su Qing, etc.) with interrupted almost went to the creation of life from the fate of the trip.更多还原