【作者】 红梅；

【导师】 敖其；

【作者基本信息】 内蒙古师范大学 ， 民俗学， 2009， 硕士

【摘要】 本文由导言、胡尔奇扎拉森的艺术道路、说唱艺术民俗、结论和参考文献等五个部分组成。文中主要探讨了口头民间艺术传承人胡尔奇扎拉森的说唱艺术民俗特征。导言,由研究概况、选题目的以及研究方法等内容构成。第一章,由胡尔奇扎拉森的传略和扎拉森的艺术特征构成。本章在简要介绍胡尔奇扎拉森的传略、艺术经历、艺术作品的基础上,探讨了其说唱艺术风格。第二章,从“请故事民俗”和“演唱故事民俗”两方面具体分析了胡尔奇扎拉森的说唱艺术民俗。“请故事民俗”中从请“蟒古思因·乌力格尔”和“胡仁乌·力格尔”的习俗进行了探究,“演唱故事民俗”中从“赞颂胡尔习俗”和“演唱故事习俗”等两个方面进行了探讨。更多还原

【Abstract】 This dissertation consists of five parts which are introduction, the art way of Hurqi Jalsan, rap art folklore, conclusion, and reference. It is mainly discussed about oral folk art successor—Hurqi Jalsan’s rap art folklore characteristics.In the introduction, it is composed of the research situation, the purpose of topic selection and the research methods.In the first chapter, it constitutes Hurqi Jalsan’ s autobiography and his art characteristics. Based on the brief introduction of Hurqi Jalsan’s autobiography, art experience and art work, it discussed on his rap art style.In the second chapter, it analyzes the Hurqi Jalsan’s rap art folklore from the two aspects—"the invitation story folklore" and " the expression story folklore". It makes the exploration about "the Invitation of Ulger about Manggasi " and " Ulger about Hurr " in " the invitation story folklore". Meanwhile, it studies on the two aspects—"making the glorification about Hurr’s etiquette and custom" and "singing the story etiquette and custom".更多还原