【作者】 乌仁图雅；

【导师】 王志民；

【作者基本信息】 内蒙古师范大学 ， 中国古代文学， 2009， 硕士

【摘要】 宋代是中国历史上急遽演进的时期,北宋尤为如此,位列唐宋八大家之首的韩愈,就是在此特殊社会背景下得以被重新认同的。宋代的散文家和理论家,不但将韩文作为创作的直接母本,而且,随着社会文化的不断更迭,有意无意地对韩文作了新的阐释,而在学习接受中不无创新。其中最具代表性的人物当为北宋六大家。他们对韩文的接受和创新让我们清晰地看到了韩文潜藏意义的外化和衍化,即文学的社会造型功能。故我们以接受学、阐释学为器识,试图高屋建瓴地勾勒出北宋六大家韩文接受与创新的大致风貌。“文变染乎世情,兴废系乎时序”。韩文在北宋得以开启重兴之运,北宋社会背景是不可剥离的因素之一。建国之初,为维护国家及政权的稳定和统一,统治者推行儒家思想,以达到“尊王攘夷”的目的。在这种大环境的影响下,文人的地位有了史无前例的提升,科举制度被大力推行,社会生产力、生产关系翻天覆地的变革也带来了人们对社会更多的关注和更强烈的责任感。韩文接受在唐代是曲折的。韩愈“抗颜为师”,“奖掖后进”,恭列其门下的弟子众多,但终因骈文之势的汹涌,韩愈等人前仆后继倡导的唐代古文革新渐告式微。北宋古文家们在这样的唐绪之下拉开了韩文接受的帷幕,他们无不举着“宗经尊韩”的旗帜,一步步地艰难地前进着。宋初,柳开得韩文于天水赵氏,韩文在北宋的重兴之门被开启;继而有穆修等人弘传韩文,至尹洙,与欧阳修并力推广韩文,至仁宗朝时,古文最终争得了话语权。这是北宋韩文接受的缩略图。这缩略图中的主角自然少不了北宋六大家的身影,他们不偏废地接受了韩文中“文以明道”、“不平则鸣”等理念。除去“明道”说在某种程度上与政治紧密配合而适应社会需要外,北宋六大家在具体创作实践中以各具个性风格的作品体现了对韩文的接受与继承。“明道”之文系“言志”之作的深层意蕴也得以被重新发现。创新才是接受的终极目标。北宋六大家的创新之路是本着养道之源的不同,最终使得行文也走着同中有异之路。可谓是“总把新桃换旧符”。新桃之所以能换旧符,是因北宋六大家经验视野的各异,接受意识也因而有所转变,故韩文不断生出崭新的意义。所以在北宋六大家更新韩文生命力的同时,也使继往开来的韩文接受者、创新者获得了源源不竭的创造力。更多还原

【Abstract】 Song Dynasty is a rush period in the history of Chinese culture development, especially the Northern Song period. Han Yu, who is ranked first among the "Eight Great Prose Masters of Tang -Song Period", was re-identified in this special context. Prosers and literary theorists of Song Dynasty not only took Han Yu’s proses as scripts of their literary reproductions, but also made the interpretations of Han Yu’s proses heedlessly and deliberately with the constantly changing of the society and culture. Han Yu’s proses were accepted and developed in this way during Song Dynasty. The most representative ones of them are the Six Great Classical Prose Masters of the Northern Song Period. Their acceptance and innovation on Han Yu’s proses have made us comprehend the extensions of the intrinsic meanings of Han Yu’s proses, namely, literature’s function of social shaping. In this dissertation, we are drawing roughly the outline of the features of the acceptance and innovation of Han Yu’s proses by the Six Great Classical Prose Masters of the Northern Song Period with acceptation and hermeneutics. "The revolution of literature is imbued with reality, the ebb and flow of literature is related to times". The society background was one of the indispensable factors which attracted people’s great interests to Han Yu’s proses during the Northern Song period. In the beginning of Song Dynasty, the ruler carried out Confucianism to maintain the country and state power stable and unified, as well as "Respecting the ruler, excluding the minorities". The role of the literators was raised in high rank unprecedentedly. The imperial examination system was practiced extensively. The gorgeous development of productive forces and productive relations made people to pay more attention to the society and to have the intense sense of responsibility.It was complicated for Han Yu’s proses to be accepted in Tang Dynasty. Han Yu took himself as a tutor seriously and gave aid to the young generations. Therefore, there were many disciples studied under Han Yu’s directions. The innovation of Chinese classical prose successively advocated by Han Yu and other literators in Tang Dynasty was declining gradually due to the overwhelming momentum of the parallel proses. In this special situation, prose masters of the Northern Song period launched the acceptance of Han Yu’s proses. They held on Chinese classical prose was the orthodox literary and Han Yu’s proses belonged to it. In the beginning of Song Dynasty, Liu Kai found Han Yu’s proses from Zhao in Tianshui. Consequently, Han Yu’s proses revived in the Northern Song period. Then, Han Yu’s proses were transmittedwidely by Mu Xiu , etc, and were advocated by Yin Zhu and Ouyang Hsiu. Tillthe Renzong age of Song Dynasty, Chinese classical prose played an importantrole. It is a general survey of the acceptance of Han Yu’s proses in the NorthernSong period and the Six Great Classical Prose Masters of the Northern SongPeriod were the leading role. They fully accepted Han Yu’s concepts that theprose elucidates Tao and writing for expressing injustice and discontent, etc.To some extent, "elucidating Tao" was closely related to the political needs ofthe government. The Six Great Classical Prose Masters of the Northern SongPeriod accepted and inherited Han Yu’s proses by their own way. The profoundimplication "to elucidate Tao means to express aspiration" was unveiled again.The innovation is the ultimate goal of the acceptance. The innovation by theSix Great Classical Prose Masters of the Northern Song Period was based onthe different origins of practicing their "Tao". They wrote in differentmanners but in the same style. It was like a verse of a poem "the old springfestival couplets were always replaced by the new ones". The innovationoccurred due to the different life experience of the Six Great Classical ProseMasters of the Northern Song Period. Therefore, Han Yu’s proses weredeveloped all the time. The Six Great Classical Prose Masters of NorthernSong Period renewed the vitality of Han Yu’s proses, and stimulated a steady flow of creativity for the following generations.更多还原