【作者】 王琦；

【导师】 肖明；

【作者基本信息】 东北师范大学 ， 美术学， 2009， 硕士

【摘要】 水彩从西方国家传入中国,已走过了百年的历程,经历了其“生”与“长”的不断完善,而今已经形成了自己独有的艺术特色,有着油画、国画等其它画种所不具备的艺术语言和审美特征。可以说,短短百年见证了水彩在中国的成长,其成就斐然。但我们不能用满足的眼光去审视当下所取得的成绩。中国人自古就谦卑,从水彩进入国门开始,中国人就抱着虚心学习的心态去对待,很大程度上是在继承西方水彩的艺术面貌,忽略了民族文化的融入,缺少民族精神。本文意从中国水彩画的民族性发展这一角度出发,谈论如何将民族文化融入中国的水彩画艺术中,使中国水彩画在借鉴外来文化的同时,与民族文化有机结合,摆脱完全的“拿来主义”,走出沿袭西方水彩画艺术的发展轨道。文章从中国水彩画的现状及存在的问题入手,从多角度谈论如何吸收借鉴中国的民族文化,详细地论述了如何从中国画中汲取营养,并对中国水彩画继承民族文化的发展所面临的问题进行了思考。希冀中国水彩画不仅能够吸收外来文化的精髓,且能很好地与我国优秀的传统文化相结合,在中西文化的碰撞与互融中使水彩画本体语言得到拓展,形成既有西方写实功底又将中国传统文化作为根基的中国水彩画艺术,展现出中国水彩画独特的民族艺术魅力。更多还原

【Abstract】 A century has passed since watercolor was shipped from West to China. After its existence and development and instantly improvement, it has showed its unique art feature, which is distinguished from the canvas and traditional Chinese painting by its special art language and aesthetic character. It could be said that the achievement of it is amazing through the development in the past century. However, we could not scan the achievement in a satisfied view. Chinese character, shaped by the tradition, is modest, so from the first step of the watercolor on the threshold of China on, Chinese artists treated it in an open-mind and learnt it, but to a great extent, it was to heritage the art feature, without permeating Chinese nationality, leading to the lack Chinese ethos.This paper tries to discuss how to merge Chinese ethos into the watercolor art of China, so as to combine the traditional culture with the western culture and to get rid of imitating the western development, in the view of how to develop nationality of Chinese watercolor.This paper proceeds from the currency and drawback of Chinese watercolor field. It discusses how to learn from Chinese traditional culture in various aspects; illustrates how to absorbing the nourishment of traditional Chinese painting at length. The writer wishes the Chinese watercolor could not only absorb the marrow from abroad,but also combine Chinese marvelous traditional culture perfectly, to develop the noumenal language of watercolor by the clash and mergence between western culture and China’s, forming Chinese watercolor art with both solid background of realistic painting and the blood of Chinese traditional culture, showing the unique bewitchery of national art in Chinese watercolor art.更多还原