【作者】 赵丽丽；

【导师】 李志宏；

【作者基本信息】 吉林大学 ， 文艺学， 2009， 硕士

【摘要】 本文从韩剧在中国得以广泛流行这一文学现象入手,深入分析了韩剧在中国的审美接受原因。本文认为,韩剧在中国得以流行开来的主因是文化因素,即体现在韩剧里的中韩两国文化上的接近,这能够使中国观众对之产生文化认同,从而接受韩剧。本文又考察了韩剧中的性别因素,指出,韩剧中的相当一部分体现了鲜明的女性意识,颠覆了传统意义上的男女两性的二元对立关系。通过进一步的分析,本文还考察了韩剧中的平民意识,即认为从形式到内容,韩剧体现的是普通民众的立场,以此与主流文化进行着抗争;而这一平民意识的典型表现形式就是韩剧中的青年亚文化因素,这一因素一方面以剧情体现出来,另一方面以韩剧中人物的服饰体现出来。在分析了这些相对独立的观点之后,本文对之进行整合,认为韩剧在中国审美接受的原因在于以文化为主因的多元决定。此外,本文还探讨了韩剧审美接受中的社会功利性问题以及韩剧对当前我国影视作品创作的启发等问题。更多还原

【Abstract】 The purpose of this paper is that through the current popularity of Korean teleplay inChina of this phenomenon to study in China to accept the reasons for the aesthetic. Ownership from the subject, this article belongs to literary theory.Either from the media ratings published by the investigation, or close to the author and the viewers the experience of Korean teleplay, are reflected in the fact that Korean teleplay became popular in China, the very reason for the public. Of course, China and Korea where the Chinese cultural circle of the same factors, as well as other factors. Factors such as gender, the position of many Korean women, not men; Then one of awareness is reflected in the civilian population, which is also our concern. Therefore, this article is the main reason for these relatively independent of the specific analysis.And young people are often in their own words to the mainstream discourse, the traditional discourse of deconstruction for a strong and critical. In this paper, the Korean cultural factors of the two aspects, one is Korean’s own criticism of the content can reflect this. As shown in a number of Korean teleplay, and young men and women to pursue their love at the resistance from the family for the indomitable struggle is like that. On the other hand, the performance of the youth sub-culture is also reflected in the clothes.Reason this culture also constitutes the reason why Korean teleplay became popular in China, one major reason. The main reason is because if there is no, then the treatment of Korean teleplay in China and now Europe and the United States will be films about the treatment in China: Although acceptable, but is not widely accepted. From a gender perspective, Korean women in a clear position. We can see that the Korean version of the clothes are very popular, get a lot of young people’s favorite. This is mainly because the Korean avant-garde fashion, rebellion, and youth culture is consistent with the character. This is also the origin of clothing in the popular Korean teleplay, Korean teleplay many people (especially young people) are wearing is this kind of structure can flaunt the dress of young people’s personality.This is a lot of Korean teleplay such as "Full House", "My Sassy Girl", "son of the spring," and so on can be seen. Here, the author used in feminist literary criticism is the way to the specific text of the analysis, we found a lot of Korean works of the original model of binary opposition between men and women over subversion. The original model of binary opposition between men and women is "the king / servant girl," and in Korean, this relationship changed over the relationship between men and women to "be waiter / Queen."Manifested in the contents of Korean teleplay, Korean teleplay are the things about each of the daily life of ordinary people’s things, and the position of treatment of these matters, it is mainly the position of ordinary people. In this perspective, Korea has become the spokesman for each of us. Korean civilians in the sense of, the article also typical in-depth study of its manifestations, that is, the youth subculture. This is because the majority of Korean audience is young people. Youth in the community very much, and the mainstream culture is opposed to the.This article draws on Fiske’s theory, that in popular culture, the mass is in a confrontation with the mainstream culture of a pole, they would in their own ways, to use his words against the mainstream culture. In Korean, and is the form and content of Korean teleplay. Korea is the Korean form of the main narrative is "telling stories", which is the most acceptable way of narrative, of which there is no experiment.Many works by Korean women’s position and vision to look at this look at the world, particularly in dealing with the relationship between men and women, women have the right to speak, which makes Korean teleplay in China has been a lot of female viewers of all ages. This article also focuses on the awareness of Korean civilians. This sense of the reference to the civilian population on the one hand, I watch Korean teleplay with relevant experience, on the other hand, with the cultural studies related to the theory.From a cultural perspective, culture is similar to China and Korea, mainly because of the history of the Republic of Korea to accept a large extent on the culture of China, though late in the nineteenth century in Europe, after the wind storm of the United States get involved, but the Korean culture China is still as firm as a rock element. Cultural factors that will be reflected in the Korean way, such as the family, importance, such as Confucianism. And it is these cultural factors, making Korea into China, the Chinese audience can immediately identify with the culture, which is popular.Of several relatively independent analysis of the causes and, in conjunction with the specific examples, I found that these factors do not work alone, but each other. Here, I use the French philosopher Louis Althusser’s "multiple decision theory," the integration of the above factors that the Korean aesthetic accepted in China because of cultural diversity mainly due to the decision. Korean teleplay in China became popular with their social utilitarian factors.Only creative life, in order to be accepted by the audience. In this paper, the study conducted by the research is not pure theory, nor is it a purely textual analysis, but rather related to literary theory, cultural theory to analyze a literary phenomenon. By analyzing the causes of a cultural phenomenon, can hope to find a number of literary and artistic creation for the current film and television in particular, be beneficial to creative things.An inspiration in the present, Korean itself as a commodity, which is the reason why commodity "sold" on its marketable. Therefore, in film and television creative to fully take into account the audience’s taste. Another inspiration for this come from, that you want to take into account the tastes of the audience must go deep into life, closer to the audience, which has returned to the literary theory textbook is a very simple but very reasonable proposition: social life is literature the only source. Here, Mr. Li Zhihong I use the cognitive theory of aesthetics to explore. Korean teleplay in China became popular, mainly in Korea and China is relatively good time, and once the relationship between the friction between the two countries, then the treatment of Korean teleplay in China will also be affected. Utilitarian nature of this factor is worthy of our attention. In the language of the last, the paper also pointed out that the study of China’s creative works inspired by film and television. In the language of the last, the paper also pointed out that the study of China’s creative works inspired by film and television. An inspiration in the present, Korean itself as a commodity, which is the reason why commodity "sold" on its marketable. Therefore, in film and television creative to fully take into account the audience’s taste.By analyzing the causes of a cultural phenomenon, can hope to find a number of literary and artistic creation for the current film and television in particular, be beneficial to creative things.Another inspiration for this come from, that you want to take into account the tastes of the audience must go deep into life, closer to the audience, which has returned to the literary theory textbook is a very simple but very reasonable proposition: social life is literature the only source. Only creative life, in order to be accepted by the audience. In this paper, the study conducted by the research is not pure theory, nor is it a purely textual analysis, but rather related to literary theory, cultural theory to analyze a literary phenomenon.更多还原