【作者】 王皓；

【导师】 赵学勇；

【作者基本信息】 兰州大学 ， 传播学， 2008， 硕士

【摘要】 本文的目的在于分析和探讨20世纪80年代末期出现的中国当代纪录片。通过对其代表作品的文本分析,归纳出体制内外纪录片一些共同的美学特征及它们产生的影响。最后分析在新的传播环境和传播语境下,中国当下的纪录片如何更好地适应社会、反映社会,如何能摆脱困境,利用自身优势和特点更好地生存和发展。全文共分五个部分:绪论部分是研究的缘起、目的与意义。第一部分简要回顾了中国电视纪录片的发展过程,为引出研究对象——1990年代的电视纪录片进行铺垫。第二部分是电视纪录片的传播学分析。第三部分是行文的重点。对两部在近年引起广泛关注与共鸣的电视纪录片作品进行了详细的文本分析,以此得出近一时期电视纪录片领域出现的一些新的变化。第四部分是对电视纪录片如何更好地发展提出的个人建议。更多还原

【Abstract】 The purpose of this paper is to analyze and explore the 20th century the late 1980s the Chinese contemporary documentaries. Through its work on behalf of the text analysis, summed up some common institutions within and outside the documentary aesthetic characteristics and the impact they have. In the final analysis of new communication and dissemination of environmental context, the Chinese present a documentary on how to better adapt to society, reflect the community, how can shake off the dilemma, using their own advantages and characteristics of a better life.The full text is divided into five parts: introduction of the study is the origin, purpose and meaning. The first part briefly reviewed the development of China’ s TV documentary process, leads to study - 1990’s television documentary for the stage. The second part is the spread of television documentary analysis. The third part is focused on the wording. The two in recent years has aroused widespread concern and sympathy of the television documentary works carried out a detailed analysis of the text, to come near the area of a television documentary during the emergence of some new changes. The fourth part television documentary on how to better develop the individual proposals.更多还原