演山词研究

【作者】 马里扬；

【导师】 张采民；

【作者基本信息】 南京师范大学 ， 中国古代文学， 2008， 硕士

【摘要】 黄裳是北宋中后期重要的词人与词学批评家。研究黄裳及其演山词,并非要为文学史视野之外的作家争得一席之地,而是在为还原文学史原生状态作出一种尝试。上编探讨演山词和黄裳的词学观;通过与宋词雅化与俗化之进程的联系,着重分析演山词中富含的禅、道文化因子和其节序词创作的独特价值,同时就创作中出现的“程式化”现象给予客观评价。当回归至两宋词学演进和对柳词接受的文学原生状态时,黄裳的词学观“诗教说词”与“柳词杜诗”则呈现出当日士大夫群体共同的词学认知,而且由于历史的选择,也昭示着一个词学批评自觉时代的到来。下编对演山词进行了校勘和笺释,附录部分着重考证演山词的版本和黄裳的生平,文献的整理是恢复文学原生状态的基石。总之,这类研究的理想境界是“呼吸到汴京的空气”。更多还原

【Abstract】 Huang Shang(黄裳)is excellent Ci poet and critic in the middle and later period of Northern Song Dynasty.Here selects Huang Shang and his works "Yan Shan Ci"(演山词)as the researching object,which is one kind of attempt.This kind of research must by no means achieve the small space for writer who is always on the edge of literature history,but make individual endeavor to restore the original state of literature history.In the first part,Huang Shang’s Ci-poetry and his viewpoints on Ci-poetry are researched.The Former is to relate with process of Song Ci-poetry becoming elegant or philistinism,analyse elements of Buddhism and Tao and especial value of Ci-poetry on festival,and evaluate objectively phenomena of petrification during producing.When carefully renew to examine the viewpoint of poet on Ci-poetry:"comparing between Du Fu’s poetry(杜诗)and Liu Yong’s Ci-potry(柳词)" and "evaluating Ci-poetry by use of political and religious criticism",his viewpoint was litterateurs’common views in Song Dynasty and indicates advent of self-knowledgement on Ci-poetry by restoring original state of development of Song Ci-poetry and receiving situation on Liu Yong’s Ci-poetry.In the second part,"Yan Shan Ci" is emended and annotated.In the addenda,the edition of"Yan Shan Ci" and Huang Shang’s story are textly researched.Studying literature datum is cornerstone to restore the original state of literature.In a word,"Breathe the air in acient KaiFeng" would be ideal boundary for this kind of research.更多还原