【作者】 昝玮实；

【导师】 董志强；

【作者基本信息】 四川师范大学 ， 美学， 2008， 硕士

【摘要】 墨戏作为中国绘画史上被歪曲和忽视历久的一种绘画形式,是一种中国古人所特有的戏玩心态和创作方式。文人墨戏这一通说使墨戏一直附属于文人画范畴,但并不代表墨戏画等同于文人画。墨戏因为“戏”字,其身份一直招致恶评,本文试图厘清墨戏与文人画的关系,并为墨戏正名。幸而墨戏在当代绘画美学理论研究中,越来越受到重视。在中西理论的相互参照和融合中,墨戏作为中国传统绘画艺术形式,不仅独具民族魅力,而且具有走向世界的审美潜质。本文在对当代墨戏研究评述中,比较和分析中西相关理论的适用性,指出用中西理论阐释传统墨戏的不妥之处与契合点,最终将墨戏放入与其相适应的文化与历史的语境下进行观照,从而深入墨戏的美学精神,揭示其独特的艺术现象和精神魅力。本文把墨戏的审美特征分为三方面进行讨论,分别是游戏化本质、私人化状态和符号化表现。游戏化,是墨戏最为独特的基本特征,规定了墨戏的本体属性,其游戏本质与西方游戏说有相似之处,但墨戏作为传统语境中的艺术形式,更多的表现出与传统的本土文化精神契合的独特的游戏性,“游戏笔墨”是中国传统文人艺术行为中的重要范式,传达出中国古人特殊的戏玩精神。在“狂禅之风”的吹拂下,“游戏三昧”的禅趣更使得东方墨戏艺术独显着自己悠久的魅力。私人化侧重于探析墨戏主体的创作形态,创作内容等分析创作主体的内心世界,寻求他们纯属人体生命活动的内在精神和形式。私人化表现所涉及的“癫狂”,“自恋”,“丑怪”倾向都会受到深层的社会原因和人文因素的影响。墨戏的符号化倾向则显示了主体在选材到技法的程式处理上,经历了一个墨戏抽象语符化的定型过程,而这一过程跟墨戏者的私性体验和感悟密不可分。墨戏作为一种艺术符号是绘画精神的一种升华,是一种“类符号”或者“类象”的形式表达,“意象”与“符号”在中西艺术哲学史上都有着臻于完善的理论言说,墨戏作品的独特性,最终以追求生命之象的审美形式突显出来,它是有着丰富生命显现的艺术载体。更多还原

【Abstract】 Ink play,as a kind of drawing forms distorted and neglected for a long period of time,is a unique playful mentality and creative work of the Chinese ancients. The popular saying of“ink play of literati”renders ink play always subordinated to the category of drawings of literati, which, however doesn’t mean that ink play amounts to drawings of literati. The word“play”has brought ink play invectives , thus the article tries to straighten out the relationship between ink play and literati, and reveal what ink play literally should be. Fortunately,ink play as a traditional Chinese drawing form, bears both unique national charm and the potential of expanding towards the international world. This article, by means of researching and remarking on contemporary ink play, compares and analyzes the applicability of Chinese and Western theories related to this topic, points out the deficiencies of the way the Chinese and Western theories interpret traditional ink play and discloses the correspondence between the two kinds of theories, and finally sees through ink play by setting it into the cultural and historical context conformed with it, accordingly has an insight in to the aesthetic spirit of ink play and reveals the particular artistic phenomenon and spiritual glamour attached to it. This article goes in three ways as to discuss the aesthetic traits of ink play, they are respectively: essence of being made a game, the state of individualization and representation of symbolization. It’s the most special and basic characteristic of ink play that it’s seen and made a game which dictate the ontological attribute of it, and it’s essence of being made a game to some extent resembles the“Theory of Game”in the western world. However, as artistic form in traditional context, ink play represents its unique playfulness corresponding with traditional local cultural spirit, being playful with literary and artistic work is an important model of the artistic activities of the traditional Chinese literati ,which displayed the special spirit of playfulness of Chinese ancients. Affected by the trend of“Mad Zen”, the Buddhist savor of“Being playful through Samādhi”brings out the unique long-term charm of oriental ink play .Individualization emphasizes on probing and analyzing the pattern of the main bodies who created ink play,the content created by them and their mindset ,and searching the inner spirit and form of their activities which purely donated to life itself.The tendency of“insanity”“narcissism”and“grotesqueness”showed by individualization is impacted by deep social and humanistic factors, the trend of symbolization of ink play shows that the subject went through a process of abstractly symbolizing ink play to finalize its’design in the way he chose the materials of drawing and the way he processed the drawing skills, which was closely related to the private experience and feelings of the author. Symbolization which is a kind of“quasi-symbol”and“quasi-imagery”, shows the sublimation brought about by ink play as an artistic symbol. Imagery and symbol fall into perfect theoretical system both in China and the West in terms of the history of philosophy of art, and the uniqueness of ink play is finally highlighted by the aesthetic form which attempts to grasp the image of life, thus, ink play is the carrier of art which demonstrates the rich life.更多还原