【作者】 徐春燕；

【导师】 付亚庶；

【作者基本信息】 东北师范大学 ， 中国古代文学， 2008， 硕士

【摘要】 《汉郊祀歌》十九章是武帝郊祀时所用的乐歌。因其是时代的产物,它客观地反映了西汉人特有的政治观念:君权神授思想和封建大一统思想;因其郊祀所唱,又自然流露汉人宗教观念特征:三一并祠、黄帝降位、泰一至尊、高帝配享等。使我们了解到西汉贵族的精神追求和政治信仰,以及天人合一思想在政治和宗教领域的统摄地位。回归文本,才是解读文本的正确之路,这也是我为此文的方法。此外结合《史记》、《汉书》等史料佐证,寻找诗歌产生的现实土壤,还原诗歌表现的真实思想;根据思想内容和实际用途,对郊祀歌分类,以期做到从微观到宏观的把握,是本文的出发点和深层追求。对《帝临》之“帝”的考查是本文拨乱反正、除旧布新的一次尝试。作为贵族乐府的《汉郊祀歌》十九章,其文学价值不容忽视。它和民间乐府一道,构成了完整、丰富的汉代乐府诗歌。它的思想内容、艺术特色值得我们推敲、研究。神奇的想象、大胆的夸张、生动的形象、典雅的语言、虚实相映的手法,以及自由活泼的形式堪与楚辞媲美。这些前代学者研究的偏废和空白,理应由当代学者去填补和完成。更多还原

【Abstract】 The nineteen poems of sacrifical rites of the Han Dynasty were singing when the emporer Han wu offered obligation to the god in surburb. Because they are results of the times ,poems refect very natural features of the Han chinese religious attitudes: three gods shrine together; the emperor Tai yi is the worst respectable. They enable us to understand feudal nobles’spirits and their pursuits of political beliefs. As well as the idea of union of the god and people is in controlling status in political and religious fields.Reture to the text, the text explains the correct way. That is also my approach to this article. Through combining《Historical records》and《Historical record of Han Dynasty》, we search for the realistic soil of poems, and deduce the true performance of poetry. To classify the poems to do from the micro to the mascro grasp is the starting point and the deep persuit in my essay. The investigation into《Dorping of the God》is to bring order out of chaos and grasp a new idea from the old.As noble poetry, the nineteen peoms’literary value can not be ignored. They and civil poems, a form of integrality, rich in the Han Dynasty poetry. Their ideological context and artistic characteristics make us research deeply. Impressive imagination, bold exaggeration, vivid image, elegant language, idealism corresponding realism, and the free and lively forms are comparable with《Chu Ci》. The baby and gap left by former scholars should be carried and filled by contemporary ones.更多还原