欧洲早期文艺复兴艺术与中国当代油画研究

【作者】 杨力；

【导师】 朝戈；

【作者基本信息】 中央美术学院 ， 油画， 2008， 硕士

【摘要】 我的研究方向是“欧洲早期文艺复兴美术与中国当代油画研究。”这个课题本身涉及三个问题,一是对欧洲早期文艺复兴这一人类文化历史上被反复发掘的文化艺术高峰期作全面深入的研究,二是关注中国当代现实生活和文化现象、艺术现状,三是这两个时间空间跨度很大的研究之间的关系。论文希望回答的问题是:中国当代文化艺术现状是怎样的,在这个现实背景下,研究传统文化艺术的对现实有怎样的意义。论文主要分为三部分。第一部分分析中国当代文化艺术现状中的问题,指出——创作主题的单一,艺术精神的虚无,艺术水准的平均化是当代艺术面临的困境,概括来说就是艺术的表面化,由此定位研究早期文艺复兴的研究目的是要知道为什么那时的艺术具有深度,什么使它具有深度。第二部分,梳理过去的研究成果,带着研究目的对文艺复兴做再发现——论述文艺复兴绘画的独立性,造型语汇本身具有的文化积淀以及早期绘画与宗教人文的关系,从这三个方面分析什么使它具有深度。第三部分为结语部分主要结论是:古典经典之所以跨越千年而鲜活,正是因为他凝聚着人的创造力、凝聚着历史文化的传承。如果当代绘画要避免表面化,肤浅化,庸俗化就必须回到它所在的文化根基,回到艺术形式产生和演变的源头重新发现。更多还原

【Abstract】 My research is "early European Renaissance art and contemporary Chinese oil painting research." Subject itself involves three issues, first on the European Renaissance’in the early history of human culture that was repeated to explore the cultural and artistic peak period for the comprehensive and in-depth The study, and the other is interested in China’s contemporary reality of life and cultural phenomenon, artistic status quo, and the third is the two great span of time and space on the relationship between. Papers hope that the answer to the question is: Contemporary Chinese Culture and Arts What is the status quo, in the context of this reality, research the history of culture and art of what is the meaning of reality.Papers are divided into three parts. The first part of contemporary Chinese arts and cultural status of the problem, pointing out that - creation of a single theme, artistic spirit of nothingness, the average standard of art is facing the plight of contemporary art, the art is generally superficial, which targeted early on Renaissance purpose of the study is to know why the arts have depth at that time, what it has depth. The second part, combing the results of research on the past, with the purpose of the Renaissance found to do - on the independence of the Renaissance painting, modeling themselves with the vocabulary and cultural accumulation and early religious paintings and the humanities, from the three In-depth analysis of what it is. Part III is divided into some conclusionMain conclusions are: classical and classical reason for the Millennium and Beyond fresh, precisely because he embodied the creativity, cohesion of the historical and cultural heritage. If contemporary painting to avoid the superficial, shallow, it must return to the vulgarization of the culture in the foundation of a return to the art form and source of the evolution of the re-discovery.更多还原