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从“轻舞飞扬”到“神仙妹妹”

From "FlyinDance" to "Shenxian Meimei"

【作者】 袁建胜

【导师】 林丹娅;

【作者基本信息】 厦门大学 , 中国现当代文学, 2007, 硕士

【副题名】中国网络文化发展第一个十年中的女性形象塑造

【摘要】 互联网自1996年商业化以来,经过十年的迅猛发展,目前已经成为与报刊、电视、广播并重的四大媒体之一。现实中的人们以ID的形式在参与网络活动,阅读和发布信息,网络强大并不断发展的功能和民主的参与模式已经改变了现代人――特别是年轻人――的行为方式。本文从性别研究视角出发,观照互联网这个虚拟世界中发生的文化事件,通过重点描述和分析这十年来网络中的重要文化现象中女性形象的塑造和变迁,指出产生这些文化现象的根源。在网络文化发展的第一个十年中经历了两个时期,一是网络精英化时期,二是网络大众化时期,两个时期中的文化现象各有特点。网络产生和发展的早期是网络精英化时期,这个时期的文化现象以网络文学为核心,网络精英们以网络为阵地发表文学作品,并通过文学作品塑造女性形象,网民也以文学作品为核心参与到文化活动中来。随后是网络大众化时期,这个时期的文化现象以网民活动为核心,去中心化是其主要特征,网民围绕一个与女性有关的“兴奋点”进行活动,以自己的力量塑造女性形象。按照网络文化发展两个时期的特征,本文分为两部分,第一章分两节,分别选取《第一次的亲密接触》这篇小说和网络作家安妮宝贝在网络中的创作两个重要文化现象,分析在网络精英化时期女性形象塑造的特征。在对《第一次的亲密接触》的分析中,以“轻舞飞扬”为例,指出在网络发展的早期,还是由男性用传统的方法和模式来塑造符合男性审美特征的女性形象,但随后出现的安妮宝贝则在网络中第一次代表小资女性这一特定女性群体来讲述自己。第二章分两节,分别选取“木子美现象”和“芙蓉姐姐现象”、“神仙妹妹现象”两组文化现象,分析网络大众化时期女性形象塑造的特征。分析描述围绕在木子美性经历书写周围的各种力量,以及产生这些力量的根源,它们与木子美一起合力创造了“木子美现象”。在随后出现的“芙蓉姐姐现象”、“神仙妹妹现象”中,分析描述以男性话语权为核心的网络文化是如何自觉的生产符合男性审美及消费标准的网络女性产品。

【Abstract】 The Internet, experiencing the ten-year development since 1996, has now become one of the four biggest media as the press (newspaper & magazine), the television, the broadcast. In the reality, people participate Internet activities, readings and issuing information by the form of ID. The strong function of the Internet and the democracy pattern changed the behavior way of modern people――especially the young people. This article embarks from the sex research view, describes and analyzes the cultural events about female image in the Internet, and points out these cultural phenomena roots.There are two periods in the Internet culture development for the first decade, one is the Internet elitist period, the other is the Internet mass period. The forepart of its development is the Internet elitist period, it take the Internet literature as the core as the cultural phenomenon in this period, in which the Internet outstanding people take the Internet as the position publication literary work, and figure the female image through the literary works, network IDs also carry on the cultural activity with the literary works as the core. Afterward it is the period of Internet mass, which takes the activities of network IDs as its core of cultural phenomenon , its main characteristic is center-leaving. In this period the network IDs encircled the "excited spot" about female to carry on the activity, and figure the feminine image by their own strength.According to the characteristics in the two development period of Internet culture, this article divides into two parts. There are two sections in the ChapterⅠ, respectively selecting two culture events ,one is First intimate contact, the other is Anni baobei.It is still the man who figureed female image using traditional method in First intimate contact. However Anni Baobei narrates women in her novel, especially women of Petty Bourgeoisie. There are two sections in ChapterⅡ, two culture events, too. One is the Mu Zi Mei phenomena, the other is phenomena of Furong Jiejie & Shenxian Meimei. The author want to analyze and describe the process of the product in Internet factory, female image is the product in this factory which were produced by the male discursive power.

【关键词】 网络文化性别女性形象
【Key words】 Internet CultureGenderFemale Image
  • 【网络出版投稿人】 厦门大学
  • 【网络出版年期】2008年 07期
  • 【分类号】I206.7;G122
  • 【下载频次】549
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