【作者】 刘莉；

【导师】 侯文宜；

【作者基本信息】 山西大学 ， 中国现当代文学， 2007， 硕士

【摘要】 新时期，当女性文学被明确作为一个批评对象进行批评时，其理论资源主要是西方女性主义思想，倡导者们也的确意在构建中国的女性主义。然而，西方女性主义文学批评的产生有它独特的背景：女权运动的历史文化前提；妇女文学资源的丰厚、女性作家和女权主义倡导者身份的统一；西方文学批评理论的理论背景。中西学术背景的差异，注定这一异域思想在本土的影响是有限的。事实上，中国新时期女性文学批评并没有单一朝着西方女性主义文学批评迈进。本文力图从对文学批评实践的实际研究出发，探讨新时期女性文学批评的多维视角及其特征。论文的第一部分，是对女性文学批评在中国新时期形成过程的分析。一是对影响因素：西方女性主义文学批评的追溯；二是对中国兴起西方模式化的女性主义文学批评的分析；三是对本土文化语境下的女性文学批评将要发生流变的分析。第二部分，重点分析了女性文学批评的多维视角及其特征。多维的批评视角主要表现为：社会历史批评、文化学批评、形式主义批评、心理学批评及道德批评。多维视角下形成的各种批评形态都有自己的话语形式，论文在对大量的批评实践分析归类的基础上，为各种批评形态特点作了力所能及的探讨。笔者认为批评视角的多维，是外在与内在表现的统一。即各种批评视角并非截然对立，而是相互交织在一起的；女性文学批评的多维视角也因了西方女性主义文学批评所提供的性别视角而变的更加具有时代意义。第三部分，在前文对女性文学批评多维视角形成的外在因素分析外，深入对女性文学批评主体、客体及批评方法的特点分析，以求对多维视角形成的批评内在因素作出浅显探讨。中国新时期女性文学批评的多维视角特征，为中国女性文学研究争得了话语权，女性文学批评的多维综合视野正是中国女性文学批评赖以存在的根基，它引导着女性文学批评与当今处于中心的西方理论话语接轨，这是它继续发展的基础，也是它的未来发展趋势。更多还原

【Abstract】 When women are clearly literary criticism as a target for criticism in new era, theoretical resources are mainly Western feminist thought, advocates indeed intended to build China’s feminism. However, the Western feminist literary critics have a unique background: the feminist movement’s history and culture premise; Women have the huge resources literature, women writers and feminist advocates of the status of reunification; Western Literary Criticism in the theoretical background. Chinese and Western academic background, the doomed exotic thinking of the local impact is limited. In fact, China’s new era of female literary criticism and the lack of a single towards Western feminist literary criticism ahead. This paper tries from literary criticism to the practice of the actual study, explore new era of female literary criticism multidimensional perspective characteristics.The first part of the thesis is female literary criticism in the process of formation of the new era of analysis. First, the impact of factors: Western feminist literary criticism of the source; Second is the rise of China to the Western model of feminist literary criticism analysis; Third is the change which is going to happen in our native cultural-environment’s affection.The second part, focusing on the female literary criticism in multidimensional perspective formed in the shape of multi-criticism. The main form of criticism: social and historical criticism, cultural criticism, formalism criticism, psychology and ethics criticism . Criticized various forms of discourse have their own form of a large number of papers on the analysis of the practice of criticism classified on the basis of The criticism of multi-form features of power. I think this form of a multidimensional perspective, the performance of external and internal unity. The various forms of criticism are not diametrically opposed perspectives, but intertwined. The female literary criticism because of the various forms of the Western feminist literary criticism of the gender perspective is changing more substituting significance. The third part is about analyzing causes that include critic main body,critic object and critic methods.These causes are the inherent factor which make up the multiple Perspectives.The multi-dimensional morphology characteristic of female literary criticism of the Chinese women’s literature study is to gain a voice. Female-dimensional literary criticism is an integrated vision of female literary criticism of China for the existence of the foundation, it guides the female literary criticism and at the center of the contemporary Western discourse convergence theory is that it is the basis for continued development. It is also the future development trend.更多还原