【作者】 吴刚；

【导师】 毛建华；

【作者基本信息】 四川大学 ， 文学人类学， 2007， 硕士

【摘要】 “美”是普世价值观中重要的一极，但作为社会科学研究成果的本文，关注的是所谓美的发生机制；民间艺术是传统文化的表征，关注民间艺术涉及到一个更加宏大的主旨——在文化多元共生中的全球语境中确立自我；本文以民间艺术之美为基点，其实表明的是研究者对知识分子话语权的所谓“公共关怀”。本文不堆积材料，不以归纳的思路作所谓传统意义上的美学思考，不作物质层面上浅显可见的比照和呈现，无意于民间艺术的具体形态和风格样式，而是在艺术与环境(文化生态)间探寻其深邃的精神内联。所以，本文刻意回避了文化生态中经济、物产、交通等寻常因素，而把视点锁定在了宗教和竹在文化心态和人格上的“情绪沉淀”。作者相信，作为民间艺术创造者的民众的情绪样态才是其艺术风格的最重要成因。那么，宗教能够缔造怎样的人格，而山川形貌中的重要物产和景观——竹又是怎样通过沉积于集体意识而最终决定艺术的风貌的呢?同时，本文并不就这一问题做出信誓旦旦貌似真理的回答，而是权当带有审美性质的人类学写作。更多还原

【Abstract】 Beauty in values of comcom world is extreme, but zhis article is on zhe social research achievements, so it is focused on zhe religion of beauty; folk art is zhe outside features of traditional culture. Focusing on folk art is related to a magnificent goal that you should find your own lacation in diversity culture, this article is based on zhe beauty of folk art, which shows researchers concercing about intellectual speaking preedom.The article doesn’t pile materials, and it doesn’t think about traditional aesthetics by summarizing, bot have obvious comparisons and presenting, and not have concrete formation and style, but find out the basic connetions between art and environment. So it avoids these faltors on purpose, such as economy, transportion etc. But it is focused on religion and bamboo. The writer believes that it is the mass’s spirits state of creators in folk art that is an important reason for art style. So what personality can riligion would? And how does bamboo dedide on the style of art? Meanwhile, the article doesn’t answer the question for sure, but a passage on anthropology with appriciation of the beautiful.更多还原