【作者】 李隽；

【导师】 邱立新；

【作者基本信息】 西北民族大学 ， 美术学， 2007， 硕士

【摘要】 中国传统中的汉族工笔重彩(下文简称“工笔重彩”)和藏族唐卡都是华夏艺术的一部分,多年来随着汉藏文化的交流相互影响和渗透着。在现今国内外文化交流的带动下,工笔重彩和唐卡也都注入了新鲜活力,呈现出蓬勃发展的欣欣动态。面对着现今中国绘画以色彩为突破口这一发展方向,本文尝试从继承传统和对民间艺术的再认识这一角度,对传统中的以汉族工笔重彩的卷轴画为主和以藏族唐卡中的“止唐”艺术为主的艺术作品进行比较分析,研究二者在不同思想文化下所形成的绘画审美特征。就艺术本身而言,绘画的发展离不开文化的交流融汇。汉族文化“天人合一”的宇宙观,把自然与社会、心与物、超越与内在视为一个连续整体,而唐卡本身就隐含着神秘、浓厚的宗教色彩。对两者进行一番比较研究,不仅可由此窥见两种不同的审美取向,同时还有助于我们认清两者在人文科学、美术学、宗教学等相关领域的重要价值。汉藏民族思想文化对工笔重彩画与唐卡艺术的影响,贯穿于它们的发展演变中。二者在本民族思想文化的潜移默化下不断继承和创新,渐渐形成独有特色,一步步走向辉煌。作为视觉表现艺术,本文通过比较两者的取材内容、画面构成、用色、形象造型,寻求形成异同的思想文化因素,提出笔者的一些浅见,在绘画理论探讨过程中能够为学术上的争鸣提供一定的依据,进而在保持民族传统风格的基础上,沿着传统艺术话语的道路不断创新、丰富和完善。为弘扬华夏优秀传统艺术为当代中国传统工笔画的现实发展,贡献一份微薄的力量。更多还原

【Abstract】 The meticulous style painting in deep colors of the Han nationality and the Tibetan Tangka Paintings belong to parts of traditional Chinese arts, which influence and infiltrate each other throughout the cultural exchange history between Han nationality and Tibetans. At present, pushing forward by the national and international cultural exchange, renewed vigor is poured into the meticulous style painting in deep colors and Tangka with a vigorous presentation of development. Realizing that colors are taken as the breakthrough of present Chinese paintings, the essay tries to compare and analyze, from the vision of inheriting of tradition and recognition of folk arts, the traditional art production, which are mainly in the forms of hand scrolls of traditional meticulous style painting in deep colors of the Han nationality and the Tibetan Tangka paintings, and to discover the aesthetic features of them, which were shaped in different thoughts and cultures.As for art itself, the development of arts cannot be separated from the interchanging and digesting of cultures. The Han nationality culture’s world view of“The nature and man unite as one”takes nature and society, minds and materials, surpass and inner part as a continuous whole matter. Meanwhile, Tangka implies mysterious and great religious color itself. By comparing and analyzing both of them , not only a glimpse of two different aesthetic preferences can be obtained , but can be of great help to have a clear view of important values related to human science, arts ,aesthetics ,and religious literature.The influence by the Han nationality and Tibetan’s thoughts and cultures runs through the development and changes of meticulous style painting in deep colors and Tangka Paintings. Under the gradual influences of each nationality’s own thoughts and cultures, as well as their inheriting and innovations on the contents and techniques of presentation, both kinds formed their unique features little by little. In terms of visual expressional art , this essay puts forward some personal view on this, by comparing the contents of drawing materials、film compositions、color uses、image buildings of both kinds, and tries to seek for the reasons for those thoughts and cultural distinctions. Moreover, the essay also wants to provide some foundations for academic contend during the process of exploring the theory of painting while going along the road of traditional arts ,as well as to continually innovate、enrich、and better the traditional Chinese national arts.更多还原