六朝乐教初探

【作者】 周烨；

【导师】 赵后起；

【作者基本信息】 南京艺术学院 ， 音乐学， 2006， 硕士

【摘要】 本论文以六朝时期乐教的发展为主要研究对象。采用音乐史学的研究方法，对当时的乐教状况加以研究。六朝时期是中国历史上动荡、分裂的乱世，王朝的频繁更迭造成官学的时兴时废，但在客观上却造就了私学(尤其家学)的繁荣。西域音乐和佛教的传入，都为当时乐教增添了新的内容，赋予六朝乐教新的特点。与此同时，六朝时期玄学的发达在偶然和必然间也成就了琴乐的繁荣，使得音乐成为了自娱和修养身心的一种手段，因此琴乐教习蔚然成风。本文正是力求揭示出乐教在六朝时期的新内涵，以疏理乐教在这一时期的发展脉络，深化该领域的研究。更多还原

【Abstract】 This thesis highlights the development of the music education in China during the Six Dynasties period. By adopting the research methods of historiography of music, this thesis makes a research and study to the music education at that time.The Six Dynasties witnessed the social turbulence and breakup of China. Frequent supersession of dynasties incurred the ups and downs of official sect, but objectively speaking, it contributed much to the booms in Sixue (attending the private academies), especially Jiaxue (employing private teacher at home). With the introduction of West Regions music and Buddhism, many new contents were added to the music education, and the music education in those days was endowed with many new features. Meanwhile, the development of philosophical sect in the Six Dynasties period, no matter incidentally or inevitably, also promoted the bloom of Guqin music. Music became a means for self entertainment and cultivation of body and mind, thus Guqin music education turned to a common practice and won great popularity at that time. This thesis tries to disclose the new contents of music education in the Six Dynasties period to clean the development of music education at this period and further deepen the study in this field.更多还原