【作者】 闫鑫；

【导师】 邹文；

【作者基本信息】 清华大学 ， 美术学， 2006， 硕士

【摘要】 美术的发展史同人类的文明一样久远,数千年的文化发展史孕育出了千姿百态的美术样式,不同时期的美术都蕴含着丰富的历史与精神内涵,每个时期的美术都有经得起重读的经典作品。美术在当代传播语境中无处不在。无论古代、近代还是当下,文化传播都离不开美术,美术是传播更有效率、有魅力、有影响的载体、工具和途径。而传播又是促进文化变革的活性机制;是文化延续的整合机制;是输出与接收信息的社会化的互动过程。传播对文化的发展、融合、变迁起到有力的推动作用,传播又是美术经典产生的必由之路。随着社会的发展,传播美术和美术的传播方式也随之产生了很多转变。尤其是二十世纪以来,人类已经进入全球化语境的传播时代,国家与地域之间的壁垒被打破,资源、文化、艺术实现了共享;一个新的信息传播空间也应运而生,这一切对美术经典的生成、发展、传播产生着重要的影响。本文试图从传播学的角度,结合美术学、艺术传播、文化学社会学、文化传播学等理论,分析近年来山西美术传播现象,力图发现在现代社会条件与当代时代背景下山西美术传播的特点、规律等。由于现在对山西美术经典传播的研究比较少,本文论述从界定基本概念入手,依靠由上述领域采撷的相关资料、间接涉及的观点和实例分析,得出结论:山西美术经典的当代传播的特点为:主动性、选择性、适应性、融合性。山西美术经典的当代传播是有组织的、跨文化的、有效的,是亲身传播、实物传播、大众传播相结合的传播。通过传播实现了美术经典的整合,形成经典的美术品牌。山西美术经典的当代传播促进了传统文化艺术的增殖、推动了山西文化创意产业的发展,体现了在全球化视野中传播的重要性,树造出“文化山西”、“美术山西”的新形象。但美术经典的当代传播也淡化了美术经典的文化底蕴。更多还原

【Abstract】 Art phylogeny is as long as human civilization, thousand years of culture history gestates omniform art styles. In different periods, Art implicates profuse historical and spiritual meanings, each era has classical art works that worth to be reread. Art permeates every field of modern communication context. No matter ancientry, neoteric time or nowadays, cultures never communicate without art,which is a more efficient, charming, influencing trager, tool or path. Communication is also the active mechanism of hasten culture revolution;it is conformity mechanism of culture continues; it is the socialized interactive course of exporting and incepting informations. Communication impulses the development, confluence and vicissitude of cultures with grand power, likewise it is the only way to produce art classics. With developing of society, communication of art and its means change a lot. Especially during the 20th century, people have been living in the communication era of global context, ramparts between nations and regions have been broken up, sources, cultures and Art have been shared. A new space of info communication emerges as the times require. All above have important influence to the classic art works creating, developing and communicating.From the aspect of communication, combining with theories of fine arts, art communication, culture sociology, culture communication, this article analyzes recent phenomena of Shanxi Art Communication, tries to discover the characters and rules of Shanxi Art Communication in modern social conditions and contemporary time background. Whereas now we are lack of researches of Shanxi Art Classics Communication, the paper starts with defining basic concepts; depending on data, indirect viewpoints and examples from above fields, it educes conclusion:Contemporary communication of Shanxi Art Classics has characters as initiative, selective, adaptive, blending.Contemporary communication of Shanxi Art Classics is organized, cross-cultural and effectual. It is a kind of communication combines communicating in body, in object and in mass. Art Classics achieve conformity through communication, and form classical art brand themselves.Contemporary communication of Shanxi Art Classics boosts the flourish of traditional culture and art, impels the development of Shanxi cultural and creative industries, incarnates the importance of communication in global eyeshot, erects the new icon as“Culture Shanxi”,“Art Shanxi”. However, Contemporary communication of Art Classics also whittles its deep-seated cultural signification.更多还原