【作者】 谭亚平；

【导师】 陈磊；

【作者基本信息】 湖南师范大学 ， 音乐学， 2007， 硕士

【摘要】 玛丽亚·卡拉斯是世界上公认的二十世纪最伟大的歌唱家，同时又是一位伟大的音乐家。她的声音极富张力，音色圆润、通透、明亮，音域宽广、灵活多变，在丰富的音色变化下，透出一种光辉的戏剧性气质，是一位揽括三个声部演唱技术的全能型女高音。卡拉斯不仅技术精湛，且擅于形体表演，具有崇高、隽永的雕塑美。她对音乐作品的理解深刻，表演至美。她的演唱不只是追求华丽、漂亮的声音表面，更是赋予Bel Canto以深刻的内涵。卡拉斯追求声音服务于感情和戏剧内容，富于变革精神。卡拉斯的演唱艺术为歌唱艺术的发展建立了不可估量的功绩。本文着重从三个方面对卡拉斯的演唱艺术进行探究。一从发声技术角度入手，分别从呼吸、共鸣、发声及语言四个方面对其声音进行分析。二是从演唱的风格入手，阐述其演唱艺术特点。三是从卡拉斯演唱的实践入手，通过细致分析其演唱的两首经典咏叹调，从而进一步探究其演唱艺术的魅力。上述三个部分为本文的中心部分，全文的大致结构如下：绪论；第一章：卡拉斯演唱艺术成因第二章：卡拉斯发声技术探究第三章：卡拉斯演唱风格探究第四章：卡拉斯作品处理探究第五章：由卡拉斯演唱艺术引发的思考结语更多还原

【Abstract】 Maria Callas was a well-known musician as well as the greatestsinger in the twentieth century. With stretching voice, bright and pleasanttimbre, wide and flexible diapason, Callas possessed brilliant dramaticqualities which enabled her to be an omnipotent soprano who owned thesinging techniques of all the three voice parts. Callas was not only aconsummate musician, but also good at physique performance, having asublime and meaningful sculpture beauty. She had a deep understandingof music works, and could also perform them perfectly. Her singingperformance was not only to pursue the most magnificent and splendidvoice surface, but also provided Bel Canto with deeper inner meaning. InCallas’s mind, she thought that sound should serve the emotion and thecontents of dramas. So she was full of revolutionary spirit. Therefore,Callas contributed a lot to the development of the singing arts.The thesis tries to explore the singing arts of Callas from threeaspects. The first is to start with vocal techniques to analyze her voicethrough four aspects, that is, breath, resonance, phonation and language.The second is to start with her singing style to illustrate her singingcharacteristics. The third is to start with her singing practice to analyzeher two classical arias elaborately, and then make a further exploration tothe charm of her singing arts. The three aspects discussed above are thecentre of the thesis. The structure of the article is as follows:IntroductionChapter One: the main elements that have formed Callas’s artcharacteristics; Chapter Two: the explorations of Callas’s vocal techniques;Chapter Three: the explorations of Callas’s singing style;Chapter Four: the explorations of Callas’s methods of dealing withworks;Chapter Five: the reflections caused by Callas’s singing arts.Conclusions更多还原